Chiefs projected 53-man roster: Competition at RB, WR and CB – The Athletic

KANSAS CITY, Mo. — With a short statement last month, coach Andy Reid presented the best news for the Chiefs on the final day of their mandatory minicamp.

“For the most part, we’ll have everybody back,” Reid said of the overall health of his players ahead of the team’s upcoming training camp, the annual start of their season at Missouri Western State’s campus in St. Joseph, Mo.

The Chiefs will begin camp July 22, a day in which the quarterbacks, rookies and veterans returning from injury will start a short series of truncated practices. The rest of the team’s veterans are expected to report to camp July 25, with the first full practice open to the public set for July 28.

The Chiefs are in the midst of rebuilding their roster around superstar quarterback Patrick Mahomes, who is entering the second phase of his career. A younger roster — especially on defense — and a group of newcomers on offense should create one of the most competitive camps in Reid’s tenure, as the future Hall of Fame coach enters his 10th season leading the Chiefs.

With just a few weeks before camp starts, here’s our latest projection of the Chiefs’ initial roster. Of course, some players will rise based on their performance in camp and the three preseason games. And other players will fall, their repetitions decreasing as camp progresses. These expected changes will be noted throughout camp and the preseason in advance of Aug. 30, the NFL’s mandatory cutdown day.

Note: Per usual, starters are designated in italics. The opening-game roster after all the cuts will be 53 players.

Offense (26)

Quarterbacks (2): Patrick Mahomes, Chad Henne

Training camp should be a little different for Mahomes this year. He is not returning from an injury he spent the offseason rehabbing, which was what he had to do last year. He also was building chemistry with four new starting offensive linemen last year. This time, Mahomes will work to strengthen his timing and rapport with new receivers such as Marquez Valdes-Scantling, JuJu Smith-Schuster and rookie Skyy Moore. Much of the camp could be reduced to one word with Mahomes: balance. If Mahomes can evenly distribute his passes to a majority of his skill-position teammates, such work should be beneficial to the Chiefs’ passing attack in September as opposing defenses work to comprehend and/or react quickly to what Reid and offensive coordinator Eric Bieniemy present.

In rapid succession Thursday, Patrick Mahomes offered a glimpse of the Chiefs’ new passing attack.

“That’s what you’re going to see from this offense this year: It’s going to be everybody,” @ByNateTaylor reports from Kansas City’s OTAs. https://t.co/zoCc1dKJgU

— The Athletic NFL (@TheAthleticNFL) May 27, 2022

Henne, who celebrated his 37th birthday on Saturday, is expected to be the Chiefs’ backup. But Shane Buechele, a second-year player, should push Henne in camp and the preseason. Buechele showcased improvement with his accuracy and deep ball during the team’s offseason program.

Running backs (4): Clyde Edwards-Helaire, Ronald Jones, Jerick McKinnon, Derrick Gore

This statement might be surprising, but this is the first time in my five years of covering the Chiefs that the competition at the running back position is more intriguing than with the receivers.

Edwards-Helaire is entering his third season, a pivotal year in which he hopes to fully reach his potential as a dual-threat weapon who can remain durable. Jones, though, is a legit candidate to earn the starting spot over Edwards-Helaire if he has an exceptional camp. In the most important games late last season, McKinnon was the Chiefs’ best player at the position, showing a combination of speed, shiftiness and toughness that was impressive. McKinnon did a savvy veteran move during the team’s mandatory minicamp, signing a one-year deal worth just more than $1 million to return to the team.

The final roster spot will be a battle between Gore and rookies Isaih Pacheco and Jerrion Ealy. Gore has the early edge since he had positive moments last season and proved to be a tough runner. But Pacheco and Ealy could be fascinating players who are speedy and quality receivers. As it usually goes, the winner will likely be a strong blocker and a willing contributor on special teams.

— Kansas City Chiefs (@Chiefs) June 28, 2022

Fullback (1): Michael Burton

Reid has always appreciated the fullback position. Burton’s role should increase in terms of his importance because the Chiefs could lean more on power concepts this season. He is also perhaps the team’s best runner in short-yardage situations.

Wide receivers (6): Marquez Valdes-Scantling, Mecole Hardman, JuJu Smith-Schuster, Skyy Moore, Josh Gordon, Justin Watson

The best receiver in the offseason program was Valdes-Scantling, who offers a combination of speed and size that Mahomes has never had before. Smith-Schuster running routes alongside star tight end Travis Kelce should be a nice addition to the offense. Moore should receive plenty of repetitions in camp with Mahomes since he missed most of the offseason program with a left hamstring strain.

The Chiefs are optimistic that Gordon, a six-year veteran who joined the team midway through last season, can be a nice target for Mahomes in limited opportunities. Gordon performed better with each week during the offseason program, so he could earn the roster spot that went to Daurice Fountain last year. Fountain is still on the roster and will be in a battle with Watson, a five-year veteran who may offer more versatility, including a role on special teams.

Tight ends (4): Travis Kelce, Blake Bell, Noah Gray, Jody Fortson

Fans should consider Kelce a hybrid playmaker, a receiver who just happens to be a tight end on the roster. As such, the Chiefs have Kelce and three more traditional tight ends, which is what their offense had to open last season. As long as the three other tight ends perform to their expectations, they should be utilized in the offense on a rotation that should help give the unit an advantage. Fortson remains one of the Chiefs’ tallest targets in the red zone. As for Kelce, he’s expected to rack up another 1,000-plus receiving yards, which would extend his NFL-record streak to seven seasons.

The most interesting player among this group is Brown, who was invited to the Pro Bowl last year as a full-time starter at left tackle for the first time in his five-year career. Brown remains on the franchise tag, a one-year salary of $16.6 million. The league’s deadline for Brown and the Chiefs to agree to a lucrative contract extension is 3 p.m. CT on July 15. As I’ve written before, the extension Brown likely wants from the Chiefs is a better contract than what star left tackle Ronnie Stanley, his former teammate, received from the Baltimore Ravens in late October 2020, a five-year, $98.75 million extension with $70.8 million guaranteed.

New story. Orlando Brown Jr. & Michael Portner, his new agent, believe they & the Chiefs can agree on an extension.

They have 5 weeks, in what will be Portner’s 1st contract negotiation.

“He wants to be Patrick Mahomes’ LT for the rest of his career.” https://t.co/T4L70SSVJv

— Nate Taylor (@ByNateTaylor) June 8, 2022

This projection doesn’t include right tackle Lucas Niang, who is recovering from surgery to repair a torn patellar tendon in his left knee, an injury he sustained in early January. Niang, a third-round pick in 2020, could start camp — and the start of the regular season — on the physically unable to perform list. Giving Niang another six weeks in the regular season to rebuild the strength in his knee, instead of returning sooner than necessary, would be a wise decision for the Chiefs. Allegretti is the lone versatile interior lineman, a player capable of playing guard and center. If Kinnard, a rookie right tackle, struggles in camp and the preseason, his roster spot could go to veteran center Austin Reiter.

Jones is the Chiefs’ most important defender, a talented star pass rusher who likely will need to take on more of a leadership role this season. Jones will be featured at his natural position (defensive tackle) and is expected to record 10 or more sacks this season for the unit to have a reliable pass rush. Everything around Jones on the defensive line is a question mark. Clark enters this season in essentially a contract year, and training camp will be the first team he has been with the team since last season ended (Clark’s absence during the mandatory minicamp was excused by Reid since he was expecting the birth of his child that week).

Karlaftis’ progression in camp will be a huge subplot. He is slated to be a starter opposite of Clark, and his intensity and powerful bull rush will be worth tracking when the Chiefs have their padded practices. The Chiefs, of course, could add another veteran defensive end to the roster before camp starts.

— Bobby Stroupe (@bobbystroupe) July 5, 2022

On the interior, Nnadi, Stallworth, Wharton and Saunders are talented defenders who have enough athleticism to provide occasional pass-rush pressure. Could this be the year Saunders, a four-year veteran, showcases his skills for a full season?

The onus of this position group, for better or worse, is on Bolton and Gay, a young, talented duo that could be one of the best in the NFL if everything goes right. The Chiefs are counting on both players. Bolton replaces veteran Anthony Hitchens and was a tackling machine last season, a statistic he led the team in. Gay, meanwhile, is wildly athletic and could be a playmaker, especially in coverage, if he remains durable throughout the season.

Lee was impressive during the offseason program and projects to be a strongside linebacker. Chenal could struggle in coverage early, but he could be a bonus for the unit as a blitzer, as he’s projected to be a strongside linebacker who can also be Bolton’s primary backup.

Chenal and Carter could be plus-players on special teams.

Who can guess how many shots our photographers took on media day?? 📸 pic.twitter.com/7Iudhuf6EC

— Kansas City Chiefs (@Chiefs) June 23, 2022

Six cornerbacks seems a bit high when compared to previous seasons, but at least for now, this is a strong group. The Chiefs want to start McDuffie’s career on the perimeter, a role that could help him learn and adjust to the speed of the NFL faster than having him rotate at times as the nickel cornerback. Sneed appears to have that role for this season with Fenton likely staying on the perimeter. The Chiefs are optimistic that Fenton, who had a minor shoulder surgery in April, will participate in training camp at some point.

Lammons re-signed with the Chiefs last month and is expected to once again be a special team ace. Johnson will enter camp in a competition with Deandre Baker, a younger player who is now more than a year away from returning from his broken left femur. Williams is talented enough to be a contributor on special teams while being a developmental defender throughout his rookie season.

Reid and Thornhill are the expected starters. Thornhill, entering the final year of his rookie contract, wants to earn an All-Pro selection and create more turnovers. Reid might not have the same role as Tyrann Mathieu once had — the true defensive queen piece on the chessboard — but he should be a versatile defender who helps disguise the secondary’s coverage.

New story. Juan Thornhill, the reinstated starter who is fully healthy, is ready to re-energize his career.

“I’m going to have an All-Pro season.”

Plus, another no-look pass from Patrick Mahomes, Chris Jones’ 1st reps & George Karlaftis’ progress.https://t.co/AO2uBpkPti

— Nate Taylor (@ByNateTaylor) June 15, 2022

If Bush, a six-year veteran, can be better in the third-safety role than Daniel Sorensen was last year, his signing will be a success for the Chiefs. As a rookie, Cook performed well during the mandatory minicamp, a positive sign that his development could be on a nice trajectory.

Special teams (3)

Kicker (1): Harrison Butker
Punter (1): Tommy Townsend
Long snapper (1): James Winchester

The entire kicking battery is back this season. The player who appears to have the most improvement to gain is Townsend, who should continue his progress in this third year. Winchester is one of the longest-tenured Chiefs and is also one of the league’s most steady long snappers. Butker is one of the league’s best kickers, and this could be the year he earns his first Pro Bowl selection.

(Photo of Clyde Edwards-Helaire: Denny Medley / USA Sports)

Unveiling the Innovations of Francisco David Pacheco: A Trailblazing Interior Designer Defying Boundaries

Title: The Visionary Artistry of Francisco David Pacheco: A Trailblazing Interior Designer

Introduction:
Francisco David Pacheco, a pioneering interior designer born in 1851, revolutionized the field of interior design through his unique artistic vision and unwavering commitment to creating spaces that harmoniously intertwined functionality with aesthetic beauty. His groundbreaking approach to design not only transformed the visual landscape of numerous buildings but also influenced generations of aspiring designers. This comprehensive biography aims to shed light on Pacheco’s life, his influential work, and lasting legacy.

Early Life and Education:
Born on May 3rd, 1851 in a small town near Seville, Spain, Francisco David Pacheco showed an early inclination towards creativity and expressed an appreciation for architecture from a young age. Encouraged by his supportive parents who recognized his talent, he pursued formal education in fine arts and interior design at the prestigious Royal Academy of Fine Arts in Seville.

Professional Journey:
Pacheco’s insatiable curiosity led him on extensive travels throughout Europe during his formative years. Inspired by various architectural styles and artistic movements he encountered along the way, he developed a distinct design philosophy that seamlessly blended elements from different cultures into cohesive interiors.

Upon returning to Spain in the late 1870s after acquiring immeasurable knowledge across borders, Pacheco embarked upon an illustrious career as an independent interior designer based in Madrid. His early projects consisted mostly of private residences for affluent patrons who were captivated by his innovative approach.

Design Philosophy:
Pacheco believed that successful interior design should transcend mere aesthetics; it should encapsulate spatial harmony while fulfilling its intended purpose effectively. He dedicated himself to understanding the needs and desires of each client individually before commencing any project – a practice that would later become standard among designers worldwide.

One notable aspect of Pacheco’s work was his deep appreciation for natural light as an integral element in interior spaces. He masterfully incorporated elements such as expansive windows, skylights, and strategically positioned mirrors to amplify the play of light and shadow within his designs. This emphasis on natural illumination became a signature hallmark of Pacheco’s style.

Key Projects:
Pacheco’s exemplary portfolio boasts an array of groundbreaking projects, each infused with his unique style and attention to detail. Notable mentions include the elegant refurbishment of Hotel Gran Lujo in Madrid, where he seamlessly combined contemporary design elements with traditional Spanish influences. His work on the Palace of Seville showcased his ability to reimagine historical spaces while staying true to their original character.

Perhaps one of his most captivating ventures was the transformation of an abandoned industrial space into a vibrant cultural center known as El Moderno. Pacheco’s innovative use of salvaged materials combined with inventive lighting techniques turned this once-neglected building into a celebrated hallmark in the world of adaptive reuse architecture.

Legacy and Influence:
Francisco David Pacheco’s uncompromising commitment to merging functionality with artistic beauty elevated him to legendary status within the realm of interior design. His revolutionary methods inspired countless designers who followed in his footsteps, leaving an indelible mark on both residential and commercial interiors worldwide.

Pacheco’s ideas continue to shape modern interior design practices that prioritize thoughtful spatial planning, adaptability, and creating immersive experiences for occupants. His relentless pursuit of excellence has undoubtedly set new benchmarks for generations to come.

Conclusion:
Francisco David Pacheco was not only a visionary interior designer but also a trailblazer who pushed boundaries in pursuit of creating truly exceptional spaces. His innate ability to harmonize diverse architectural styles while focusing on functionality has immortalized him among the pantheon of greats in this field. Through unwavering passion and unmatched creativity, Pacheco leaves behind a remarkable legacy that continues to inspire aspiring designers around the globe even today

TEI 2023 workshop: Designing with the Body in Unhabitual Movements using Visual and Textual Elicitation Tools – Claudia Núñez-Pacheco

 We invite you to join the Studio on Designing with the Body in Unhabitual Movements using Visual and Textual Elicitation Tools at the ACM International Conference on Tangible Embedded and Embodied Interaction (TEI’23). Designing with the lived body has gained increasing interest within the HCI and interaction design communities, taking a more holistic and situated approach…

New Comic Book Releases – 5/04/22

If you’re not familiar with where to go to find comics you can use this locator. Let’s go ahead and take a look at what’s out this week.

A WAVE BLUE WORLD
Mezo Battle At Coban Rock #1 (Of 5)(Cover A Val Rodrigues), $3.99
Mezo Battle At Coban Rock #1 (Of 5)(Cover B Terry Blas), $3.99
Mezo Battle At Coban Rock #1 (Of 5)(Cover C Val Rodrigues Virgin Variant), AR

ABLAZE
Belit And Valeria #1 (Cover A Marco Turini), $3.99
Belit And Valeria #1 (Cover B Olivier Vatine), $3.99
Belit And Valeria #1 (Cover C Lesley Leirix Li), $3.99
Belit And Valeria #1 (Cover D Rodney Buchemi Parody Variant), $3.99
Belit And Valeria #1 (Cover E Blank Variant), $10.00
Belit And Valeria #1 (Cover F Marco Turini Virgin Variant), AR
Belit And Valeria #1 (Cover G Olivier Vatine Virgin Variant), AR
Belit And Valeria #1 (Cover H Lesley Leirix Li Virgin Variant), AR
Belit And Valeria #1 (Cover I Rodney Buchemi Parody Virgin Variant), AR
Belit And Valeria #1 (Cover J Marco Turini Black & White Variant), AR
Belit And Valeria #1 (Cover K Lesley Leirix Li Black & White Virgin Variant), AR

AFTERSHOCK COMICS
Beyond The Breach TP, $16.99
Dogs Of London #1 (Cover A Andy Clarke), $4.99
Dogs Of London #1 (Cover B Dave Johnson), AR

ANTARCTIC PRESS
Alias Black And White #5 (Of 7), $3.99
Black Hops Hopocalypse Now #1 (One Shot), $6.99
Exciting Comics #20, $4.99
Planet Comics #5, $3.99
Spectreman Heroes #1 (Of 5)(Cover A Hiroshi Kanatani), $4.99
Spectreman Heroes #1 (Of 5)(Cover B Matt Frank), $9.99

ARCHIE COMIC PUBLICATIONS
World Of Archie Jumbo Comics Digest #119, $8.99

ASPEN COMICS
Soulfire Special Edition #1 (Cover A Michael Turner & Peter Steigerwald), $1.99
Soulfire Special Edition #1 (Cover B Michael Turner), $0.00

AWA STUDIOS
Devil’s Highway Volume 2 #1 (Of 5)(Cover A Brent Schoonover), $3.99
Devil’s Highway Volume 2 #1 (Of 5)(Cover B Mike Deodato Jr.), $3.99

BEHEMOTH COMICS
Strgrl #2 (Cover A Lucas Mendonca), $5.99
Strgrl #2 (Cover B Lucas Mendonca), $5.99
Strgrl #2 (Cover C Lucas Mendonca), $5.99
Strgrl #2 (Cover D Lucas Mendonca), $5.99

BLISS ON TAP
Duel #2 (Of 10), $4.99

BOOM! STUDIOS
Dune The Waters Of Kanly #1 (Of 4)(Cover A Christian Ward), $4.99
Dune The Waters Of Kanly #1 (Of 4)(Cover B Junggeun Yoon), AR
Dune The Waters Of Kanly #1 (Of 4)(Cover C InHyuk Lee), AR
Dune The Waters Of Kanly #1 (Of 4)(Cover D Massimo Carnevale Reveal Variant), AR
Dune The Waters Of Kanly #1 (Of 4)(Cover E Massimo Carnevale Reveal Virgin Variant), AR
Dune The Waters Of Kanly #1 (Of 4)(Cover F Christian Ward Virgin Variant), AR
Jim Henson’s The Storyteller Shapeshifters #3 (Cover A Frany), $4.99
Jim Henson’s The Storyteller Shapeshifters #3 (Cover B Mateus Manhanni), $4.99
Jim Henson’s The Storyteller Shapeshifters #3 (Cover C Frany Virgin Variant), AR
Magic #14 (Cover A Miguel Mercado), $4.99
Magic #14 (Cover B1 Fabiana Mascolo Hidden Spark Planeswalker Vivien Reid Virgin Variant), $4.99
Magic #14 (Cover B2 Fabiana Mascolo Hidden Spark Planeswalker Vivien Reid Black & White Variant), $4.99
Magic #14 (Cover C Stephanie Hans), AR
Magic #14 (Cover D Stephanie Hans Virgin Variant), AR
Once And Future #25 (Cover A Dan Mora), $4.99
Once And Future #25 (Cover B Dan Mora Black & White Virgin Variant), AR
Once And Future #25 (Cover C Jonboy Meyers Virgin Variant), AR
Once And Future #25 (Cover D Simone Di Meo Reveal Variant), AR

COMIC SHOP NEWS
Comic Shop News #1811, AR

DARK HORSE COMICS
Art Of Camilla d’Errico Volume 4 Dappled Daydreams HC, $29.99
Avatar Adapt Or Die #1 (Of 6)(Cover A Mark Molchan), $3.99
Criminal Macabre The Complete Cal McDonald Stories TP (2nd Edition), $19.99
Dune Chani Figure, $59.99
Frank Miller’s Sin City Volume 4 That Yellow Bastard Deluxe Edition HC (4th Edition), $100.00
Frank Miller’s Sin City Volume 4 That Yellow Bastard TP (4th Edition), $25.00
Joyama Volume 1 TP, $19.99
Mob Psycho 100 Volume 8 TP, $11.99
Once And Future #25 (Cover E Simone Di Meo Reveal Black & White Variant), AR
Stone King TP, $19.99

DC COMICS
Batman #123 (Cover A Howard Porter)(Shadow War), $4.99
Batman #123 (Cover B Gabriele Dell Otto Card Stock Variant)(Shadow War), $5.99
Batman #123 (Cover C Jay Anacleto Card Stock Variant)(Shadow War), AR
Batman #123 (Cover D Jock Foil Card Stock Variant)(Shadow War), AR
Batman Beyond Neo-Year #2 (Of 6)(Cover A Max Dunbar), $3.99
Batman Beyond Neo-Year #2 (Of 6)(Cover B Christian Ward Card Stock Variant), $4.99
Batman Beyond The White Knight #1 (Of 8)(2nd Printing Cover A Sean Murphy), $4.99
Batman Beyond The White Knight #1 (Of 8)(2nd Printing Cover B Sean Murphy Foil Card Stock Variant), AR
Batman Killing Time #3 (Of 6)(Cover A David Marquez), $4.99
Batman Killing Time #3 (Of 6)(Cover B Kael Ngu Card Stock Variant), $5.99
Batman Killing Time #3 (Of 6)(Cover C Greg Smallwood Card Stock Variant), AR
Batman The Dark Knight Detective Volume 6 TP, $24.99
DC One Million Omnibus HC (2022 Edition), $99.99
Earth-Prime #3 Legends Of Tomorrow (Of 6)(Cover A Kim Jacinto), $5.99
Earth-Prime #3 Legends Of Tomorrow (Of 6)(Cover B Photo Card Stock Variant), $6.99
Flashpoint Beyond #1 (Of 6)(Cover A Mitch Gerads), $4.99
Flashpoint Beyond #1 (Of 6)(Cover B Xermanico Card Stock Variant), $5.99
Flashpoint Beyond #1 (Of 6)(Cover C Gary Frank Card Stock Variant), AR
Flashpoint Beyond #1 (Of 6)(Cover D Todd Nauck Card Stock Variant), AR
Hardware Season One #5 (Of 6)(Cover A Mateus Manhanini), $3.99
Hardware Season One #5 (Of 6)(Cover B Denys Cowan Card Stock Variant), $4.99
Monkey Prince #4 (Of 12)(Cover A Bernard Chang), $3.99
Monkey Prince #4 (Of 12)(Cover B Dike Ruan Card Stock Variant), $4.99
Monkey Prince #4 (Of 12)(Cover C Marcus To AAPI Card Stock Variant), $4.99
Monkey Prince #4 (Of 12)(Cover D Michael Cho Card Stock Variant), $4.99
Nubia Coronation Special #1 (One Shot)(Cover A David Mack), $5.99
Nubia Coronation Special #1 (One Shot)(Cover B Joshua Sway Swaby Card Stock Variant), $6.99
Nubia Coronation Special #1 (One Shot)(Cover C Team Reina Koyano Card Stock Variant), $6.99
Nubia Coronation Special #1 (One Shot)(Cover D Crystal Kung Card Stock Variant), AR
Nubia Coronation Special #1 (One Shot)(Cover E Joshua Sway Swaby Foil Card Stock Variant), AR
One-Star Squadron #6 (Of 6)(Cover A Steve Lieber), $3.99
Sandman Volume 3 TP (Book Market Edition), $34.99
Sandman Volume 3 TP (Direct Market Edition), $34.99
Suicide Squad #15 (Cover A Eduardo Pansica), $3.99
Suicide Squad #15 (Cover B Dexter Soy Card Stock Variant), $4.99
Tails Of The Super Pets TP, $19.99
Task Force Z #7 (Cover A Eddy Barrows & Eber Ferreira), $3.99
Task Force Z #7 (Cover B Lucio Parrillo Card Stock Variant), $4.99
Task Force Z #7 (Cover C Dan Schoening Card Stock Variant), AR
World Of Krypton #6 (Of 6)(Cover A Mico Suayan), $3.99
World Of Krypton #6 (Of 6)(Cover B Cat Staggs Card Stock Variant), $4.99

DYNAMITE ENTERTAINMENT
Army Of Darkness Vs Re-Animator #1 (Introductory Priced Edition)(Cover A Randy Valiente), $0.50
Army Of Darkness Vs Re-Animator #1 (Introductory Priced Edition)(Cover B Randy Valiente Black & White Variant), AR
Army Of Darkness Vs Re-Animator #1 (Introductory Priced Edition)(Cover C Randy Valiente Virgin Variant), AR
Army Of Darkness Vs Re-Animator #1 (Introductory Priced Edition)(Cover D Randy Valiente Black & White Virgin Variant), AR
Barbarella Volume 2 #9 (Cover J Derrick Chew Virgin Variant), AR
Barbarella Volume 2 #9 (Cover K Carla Cohen Virgin Variant), AR
Boys #7 (Introductory Priced Edition)(Cover A Darick Robertson), $0.50
Boys #7 (Introductory Priced Edition)(Cover B Darick Robertson Black & White Variant), AR
Boys #7 (Introductory Priced Edition)(Cover C Darick Robertson Virgin Variant), AR
Boys #7 (Introductory Priced Edition)(Cover D Darick Robertson Black & White Virgin Variant), AR
Boys Herogasm #1 (Of 6)(Introductory Priced Edition)(Cover A Darick Robertson), $0.50
Boys Herogasm #1 (Of 6)(Introductory Priced Edition)(Cover B Darick Robertson Black & White Variant), AR
Boys Herogasm #1 (Of 6)(Introductory Priced Edition)(Cover C Darick Robertson Virgin Variant), AR
Boys Herogasm #1 (Of 6)(Introductory Priced Edition)(Cover D Darick Robertson Black & White Virgin Variant), AR
DIE!Namite Never Dies #3 (Cover A Tony Fleecs), $3.99
DIE!Namite Never Dies #3 (Cover B Lucio Parrillo), $3.99
DIE!Namite Never Dies #3 (Cover C Arthur Suydam), $3.99
DIE!Namite Never Dies #3 (Cover D Lesley Leirix Li), $3.99
DIE!Namite Never Dies #3 (Cover E Gracie The Cosplay Lass Cosplay Variant), $3.99
DIE!Namite Never Dies #3 (Cover F Lesley Leirix Li Black & White Variant), AR
DIE!Namite Never Dies #3 (Cover G Arthur Suydam Black & White Variant), AR
DIE!Namite Never Dies #3 (Cover H Lesley Leirix Li Virgin Variant), AR
DIE!Namite Never Dies #3 (Cover I Arthur Suydam Virgin Variant), AR
DIE!Namite Never Dies #3 (Cover L Lucio Parrillo Ultraviolet Variant), AR
DIE!Namite Never Dies #3 (Cover M Lesley Leirix Li Ultraviolet Variant), AR
DIE!Namite Never Dies #3 (Cover N Gracie The Cosplay Lass Cosplay Virgin Variant), AR
DIE!Namite Never Dies #3 (Cover O Lucio Parrillo Ultraviolet Virgin Variant), AR
DIE!Namite Never Dies #3 (Cover P Tony Fleecs Black & White Variant), AR
DIE!Namite Never Dies #3 (Cover Q Lesley Leirix Li Ultraviolet Virgin Variant), AR
Draculina #3 (Cover I Collette Turner Virgin Variant), AR
Draculina #3 (Cover J Rose Besch Virgin Variant), AR
Immortal Red Sonja #1 (Cover M Jae Lee Atlas Comics Signature Edition), AR
John Carter Of Mars #1 (Cover N Joseph Michael Linsner Premium Metal Variant), AR
Pantha Volume 2 #3 (Cover A Giuseppe Matteoni), $3.99
Pantha Volume 2 #3 (Cover B Vincent Aseo), $3.99
Pantha Volume 2 #3 (Cover C Elena Pianta), $3.99
Pantha Volume 2 #3 (Cover D Jorge Fornes), $3.99
Pantha Volume 2 #3 (Cover E Al Barrionuevo), $3.99
Pantha Volume 2 #3 (Cover F Elena Pianta Black & White Variant), AR
Pantha Volume 2 #3 (Cover G Jorge Fornes Black & White Variant), AR
Pantha Volume 2 #3 (Cover H Vincent Aseo Black & White Variant), AR
Pantha Volume 2 #3 (Cover I Jorge Fornes Virgin Variant), AR
Pantha Volume 2 #3 (Cover L Meghan Hetrick Street Art Variant), AR
Pantha Volume 2 #3 (Cover M Elena Pianta Virgin Variant), AR
Pantha Volume 2 #3 (Cover N Al Barrionuevo Black & White Variant), AR
Pantha Volume 2 #3 (Cover O Meghan Hetrick Street Art Virgin Variant), AR
Pantha Volume 2 #3 (Cover P Giuseppe Matteoni Black & White Variant), AR
Pantha Volume 2 #3 (Cover Q Vincent Aseo Virgin Variant), AR
Project Superpowers Fractured States #2 (Cover A Michael Rooth), $3.99
Project Superpowers Fractured States #2 (Cover B Scott Kolins), $3.99
Project Superpowers Fractured States #2 (Cover C Geraldo Borges), $3.99
Project Superpowers Fractured States #2 (Cover D Paula Andrade), $3.99
Project Superpowers Fractured States #2 (Cover E Rus Wooton), $3.99
Project Superpowers Fractured States #2 (Cover F Rus Wooton Black & White Variant), AR
Project Superpowers Fractured States #2 (Cover G Michael Rooth Black & White Variant), AR
Project Superpowers Fractured States #2 (Cover H Rus Wooton Virgin Variant), AR
Project Superpowers Fractured States #2 (Cover I Paula Andrade Virgin Variant), AR
Project Superpowers Fractured States #2 (Cover J Geraldo Borges Virgin Variant), AR
Project Superpowers Fractured States #2 (Cover M Geraldo Borges Black & White Variant), AR
Project Superpowers Fractured States #2 (Cover N Paula Andrade Black & White Variant), AR
Project Superpowers Fractured States #2 (Cover O Scott Kolins Black & White Variant), AR
Project Superpowers Fractured States #2 (Cover U Red Blank Variant), AR
Project Superpowers Fractured States #2 (Cover V Blue Blank Variant), AR
Red Sonja Red Sitha #1 (Cover A Junggeun Yoon), $3.99
Red Sonja Red Sitha #1 (Cover B Mirka Andolfo), $3.99
Red Sonja Red Sitha #1 (Cover C Paulina Ganucheau), $3.99
Red Sonja Red Sitha #1 (Cover D Valentina Pinti), $3.99
Red Sonja Red Sitha #1 (Cover E Gracie The Cosplay Lass Cosplay Variant), $3.99
Red Sonja Red Sitha #1 (Cover F Blank Authentix Variant), $3.99
Red Sonja Red Sitha #1 (Cover G Valentina Pinti Black & White Variant), AR
Red Sonja Red Sitha #1 (Cover H Paulina Ganucheau Black & White Variant), AR
Red Sonja Red Sitha #1 (Cover I Junggeun Yoon Tinted Variant), AR
Red Sonja Red Sitha #1 (Cover J Gracie The Cosplay Lass Cosplay Virgin Variant), AR
Red Sonja Red Sitha #1 (Cover K Valentina Pinti Virgin Variant), AR
Red Sonja Red Sitha #1 (Cover L Paulina Ganucheau Virgin Variant), AR
Red Sonja Red Sitha #1 (Cover P Lesley Leirix Li), AR
Red Sonja Red Sitha #1 (Cover Q Gracie The Cosplay Lass Cosplay Black & White Variant), AR
Red Sonja Red Sitha #1 (Cover R Mirka Andolfo Black & White Variant), AR
Red Sonja Red Sitha #1 (Cover S Lesley Leirix Li Black & White Variant), AR
Red Sonja Red Sitha #1 (Cover T Lesley Leirix Li Virgin Variant), AR
Red Sonja Volume 6 #8 (Cover I Mirka Andolfo Virgin Variant), AR
Red Sonja Volume 6 #8 (Cover J Lesley Leirix Li Virgin Variant), AR
Red Sonja Volume 6 #8 (Cover K Joseph Michael Linsner Virgin Variant), AR
Vampirella Blood Lust #1 (Facsimile Edition), $4.99
Vampirella Dracula Unholy #1 (Introductory Priced Edition)(Cover A Adam Hughes), $0.50
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Vampirella Dracula Unholy #1 (Introductory Priced Edition)(Cover D Adam Hughes Black & White Virgin Variant), AR
Vampirella Dracula Unholy #5 (Cover J Lucio Parrillo Virgin Variant), AR
Vampirella Dracula Unholy #5 (Cover K Adam Hughes Virgin Variant), AR
Vampirella Dracula Unholy #5 (Cover L Shannon Maer Virgin Variant), AR

HEAVY METAL MAGAZINE
Heavy Metal #316 (Cover C Blank Variant), $13.99
Savage Circus #11 (Of 11), $2.99
Heavy Metal Presents Arena Mode GN, $24.95

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Richard Stark’s Parker The Martini Edition Last Call HC, $99.99
Rocketeer The Great Race #2 (Of 4)(Cover A Gabriel Rodriguez), $4.99
Rocketeer The Great Race #2 (Of 4)(Cover B Stephen Mooney), $4.99
Rocketeer The Great Race #2 (Of 4)(Cover C Gabriel Rodriguez), AR
Star Trek Discovery Adventures In The 32nd Century #3 (Of 4)(Cover A Angel Hernandez), $3.99
Star Trek Discovery Adventures In The 32nd Century #3 (Of 4)(Cover B Aaron Harvey), AR
Star Trek The Mirror War #6 (Of 8)(Cover A J. K. Woodward), $3.99
Star Trek The Mirror War #6 (Of 8)(Cover B Amanda Madriaga), $3.99
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Teenage Mutant Ninja Turtles #128 (Cover A Pablo Tunicav), $3.99
Teenage Mutant Ninja Turtles #128 (Cover B Kevin Eastman), $3.99
Teenage Mutant Ninja Turtles #128 (Cover C Erik Whalen), AR
Tower TP, $19.99
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IMAGE COMICS
A Righteous Thirst For Vengeance #7 (Cover A Chris O’Halloran & Andre Lima Araujo), $3.99
Deadly Class #52 (Cover A Wesley Craig), $3.99
Deadly Class #52 (Cover B Chuma Hill), $3.99
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Fire Power By Kirkman And Samnee #20 (Cover B David Finch & Dave McCaig), $3.99
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Frontiersman Lockup Special #1 (One Shot)(Cover A Nicolo Assirelli), $5.99
Little Monsters #3 (Cover A Dustin Nguyen), $3.99
Little Monsters #3 (Cover B Andrea Sorrentino), $3.99
Loaded Bible Blood Of My Blood #3 (Of 6)(Cover A Rodrigo Lorenzo), $3.99
Loaded Bible Blood Of My Blood #3 (Of 6)(Cover B Giuseppe Cafaro), $3.99
Loaded Bible Blood Of My Blood #3 (Of 6)(Cover C Tim Seeley), $3.99
Loaded Bible Blood Of My Blood #3 (Of 6)(Cover D Dan Panosian), $3.99
Loaded Bible Blood Of My Blood #3 (Of 6)(Cover E Cuddles & Rage), $3.99
Manifest Destiny #46 (Cover A Matthew Roberts), $3.99
Metal Society #1 (Of 5)(Cover A Guilherme Balbi & Marco Lesko), $3.99
Metal Society #1 (Of 5)(Cover B Qistina Khalidah), $3.99
Metal Society #1 (Of 5)(Cover C Alan Quah), $3.99
Metal Society #1 (Of 5)(Cover D Mateus Manhanni), $3.99
Metal Society #1 (Of 5)(Cover E Fernando Blanco), $3.99
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Mirka Andolfo’s Sweet Paprika #9 (Of 12)(Cover E Mirka Andolfo NSFW Variant)(adult), $4.99
Monkey Meat #5 (Of 5)(Cover A Juni Ba), $3.99
Radiant Black #14 (Cover A Marcello Costa & Igor Monti), $3.99
Radiant Black #14 (Cover B Matt Griffin), $3.99
Radiant Black #14 (Cover C Federico Sabbatini), AR
Scorched #5 (Cover A Francesco Mattina), $2.99
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Twig #1 (Of 5)(Cover A Kyle Strahm), $3.99
Twig #1 (Of 5)(Cover B Skottie Young), $3.99
Twig #1 (Of 5)(Cover C Peach Momoko), $3.99
Twig #1 (Of 5)(Cover D Kyle Strahm Virgin Variant), AR
Twig #1 (Of 5)(Cover E Peach Momoko Virgin Variant), AR
Twig #1 (Of 5)(Cover F Skottie Young Virgin Variant), AR
Twig #1 (Of 5)(Cover G Skottie Young Black & White Virgin Variant), AR
Twig #1 (Of 5)(Cover H Blank Variant), AR
Walking Dead Deluxe #38 (Cover A David Finch & Dave McCaig), $3.99
Walking Dead Deluxe #38 (Cover B Charlie Adlard & Dave McCaig), $3.99
Walking Dead Deluxe #38 (Cover C Stephen Platt & Dave McCaig), $3.99
Walking Dead Deluxe #38 (Cover D Charlie Adlard), $3.99

IT’S ALIVE
Dose #5 (Cover A John Gebbia), $4.99
Dose #5 (Cover B John Gebbia), $4.99

MANGA CLASSICS
Manga Classics The Scarlet Letter GN (New Printing), $19.99

MARVEL COMICS
Annihilation Omnibus HC (Andrea Di Vito Direct Market Cover)(New Printing), $125.00
Annihilation Omnibus HC (Gabriele Dell’Otto Book Market Cover)(New Printing), $125.00
Avengers Forever #4 (2nd Printing Cover A Giuseppe Camuncoli), $3.99
Avengers Forever #5 (Cover A Aaron Kuder), $3.99
Avengers Forever #5 (Cover B Lee Garbett Spider-Man Variant), AR
Ben Reilly Spider-Man #4 (Of 5)(Cover A Steve Skroce), $3.99
Ben Reilly Spider-Man #4 (Of 5)(Cover B Alex Garner), AR
Ben Reilly Spider-Man #4 (Of 5)(Cover C Dan Jurgens), AR
Black Panther Legends #4 (Of 4)(Cover A Jahnoy Lindsay), $3.99
Black Panther Legends #4 (Of 4)(Cover B Juni Ba), AR
Black Panther Legends #4 (Of 4)(Cover C Joshua Sway Swaby Black History Month Variant), AR
Captain America Symbol Of Truth #1 Poster, $8.99
Carnage #1 (2nd Printing Cover A Kendrick Kunkka Lim), $4.99
Defenders There Are No Rules TP, $15.99
Doctor Strange Sorcerer Supreme Omnibus Volume 3 HC (Mark Buckingham Direct Market Cover), $125.00
Gambit #1 Poster, $8.99
Ghost Rider Epic Collection Volume 1 Hell On Wheels TP, $39.99
Giant-Size X-Men Thunderbird #1 (Cover A Ken Lashley), $4.99
Giant-Size X-Men Thunderbird #1 (Cover B Kyle Charles), AR
Giant-Size X-Men Thunderbird #1 (Cover C David Cutler Design Variant), AR
Incredible Hulk Epic Collection Volume 13 Crossroads TP, $44.99
Iron Man #19 (Cover A Alex Ross), $3.99
Iron Man #19 (Cover B David Nakayama), AR
Iron Man #19 (Cover C Juann Cabal Stormbreakers Variant), AR
Iron Man #19 (Cover D Dan Jurgens Spider-Man Variant), AR
Jane Foster The Saga Of The Mighty Thor TP, $44.99
Maestro World War M #3 (Of 5)(Cover A Carlos Pacheco), $3.99
Maestro World War M #3 (Of 5)(Cover B German Peralta Design Variant), AR
Marauders #2 (Cover A Kael Ngu), $3.99
Marauders #2 (Cover B Jay Anacleto), AR
Marauders #2 (Cover C Logan Lubera), AR
Mighty Marvel Masterworks The Avengers Volume 2 The Old Order Changeth Volume 2 TP (Jack Kirby Direct Market Cover), $15.99
Mighty Marvel Masterworks The Avengers Volume 2 The Old Order Changeth Volume 2 TP (Michael Cho Book Market Cover), $15.99
New Fantastic Four #1 Poster, $8.99
Spider-Gwen Gwenverse #1 (Of 5)(2nd Printing Cover A Jodi Nishijima), $4.99
Spider-Man 2099 Exodus #1 Poster, $8.99
Spider-Man 2099 Exodus Alpha #1 (Cover A Leinil Francis Yu), $4.99
Spider-Man 2099 Exodus Alpha #1 (Cover B Ryan Brown), AR
Spider-Man 2099 Exodus Alpha #1 (Cover C Ken Lashley 2099 Frame Variant), AR
Spider-Man 2099 Exodus Alpha #1 (Cover D Ron Lim Connecting Variant), AR
Spidey And His Amazing Friends #1 (Cover A Marc Aspinall), AR
Spirits Of Vengeance Rise Of The Midnight Sons TP (New Printing), $39.99
Star Wars #23 (Cover A Carlo Pagulayan), $3.99
Star Wars #23 (Cover B John Tyler Christopher Action Figure Variant), AR
Star Wars #23 (Cover C Paul Renaud Traitor Of The Dawn Variant), AR
Star Wars #23 (Cover D Ken Lashley), AR
Star Wars By Jason Aaron Omnibus HC (Mark Brooks Direct Market Cover)(New Printing), $125.00
Star Wars By Jason Aaron Omnibus HC (Stuart Immonen Direct Market Cover)(New Printing), $125.00
Star Wars Legends The Empire Omnibus Volume 1 HC (Dave Wilkins Direct Market Cover), $125.00
Star Wars Legends The Empire Omnibus Volume 1 HC (Tsuneo Sanda Book Market Cover), $125.00
Star Wars Obi-Wan Kenobi #1 (Of 5)(Cover A Phil Noto), $3.99
Star Wars Obi-Wan Kenobi #1 (Of 5)(Cover B Peach Momoko Japanese Creator Variant), AR
Star Wars Obi-Wan Kenobi #1 (Of 5)(Cover C E.M. Gist), AR
Star Wars Obi-Wan Kenobi #1 (Of 5)(Cover D Ario Anindito), AR
Star Wars Obi-Wan Kenobi #1 (Of 5)(Cover E Movie Variant), AR
Star Wars The High Republic Volume 3 Jedi’s End TP, $19.99
Thor By Jason Aaron The Complete Collection Volume 5 TP, $39.99
Venom Lethal Protector #1 (Of 5)(2nd Printing Cover A Paulo Siqueira), $4.99
Wolverine Patch #1 (Of 5)(2nd Printing Cover A Geoff Shaw), $3.99
X-Men Legends Volume 2 Mutant Mayhem TP, $17.99

RED 5 COMICS
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RED 5 COMICS – STONEBOT
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SCOUT COMICS
Distorted #3, $3.99
Swamp Dogs #3 (Of 5)(Cover A Robert Sammelin), $3.99
Swamp Dogs #3 (Of 5)(Cover B Robert Sammelin), AR

TITAN COMICS
Minions Volume 6 Mini Boss #2 (Of 2)(Cover A Renaud Collin), $3.99
Star Trek Explorer The Official Magazine #3 (Newsstand Cover), $9.99
Star Trek Explorer The Official Magazine #3 (Previews Exclusive Cover), $9.99
Star Wars Insider #210 (FOC Cover), $9.99
Star Wars Insider #210 (FOC Luke-Grogu Trading Card Cover), $9.99
Star Wars Insider #210 (Newsstand Cover), $9.99
Star Wars Insider #210 (Previews Exclusive Cover), $9.99

TOKYOPOP
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UDON ENTERTAINMENT
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VALIANT ENTERTAINMENT
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Archer And Armstrong Forever #1 (Cover B David Talaski), $3.99
Archer And Armstrong Forever #1 (Cover C Dan Hipp), $3.99
Archer And Armstrong Forever #1 (Cover D Blank Variant), AR
Archer And Armstrong Forever #1 (Cover E Ro Stein Pre-Order Edition Variant), AR
Archer And Armstrong Forever #1 (Cover F Blank Variant), AR

VAULT COMICS
Quests Aside #1 (Cover A Elena Gogou), $4.99
Quests Aside #1 (Cover B Michael Dialynas), $4.99
Quests Aside #1 (Cover C Nathan Gooden), AR
Quests Aside #1 (Cover D Ted Brandt & Ro Stein), AR
Quests Aside #1 (Cover E Max Sarin), AR
Quests Aside #1 (Cover F Corin Howell), AR
Quests Aside #1 (Cover G Erica Henderson), AR
Quests Aside #1 (Cover H Erica Henderson Deluxe Foil Variant), AR
Wasted Space Volume 5 TP, $15.99

VIZ MEDIA
Blue Exorcist Volume 27 GN, $9.99
Boruto Naruto Next Generations Volume 14 GN, $9.99
Dr. Stone Volume 21 GN, $9.99
King’s Beast Volume 6 GN, $9.99
Kubo Won’t Let Me Be Invisible Volume 1 GN, $9.99
One Piece Volume 99 GN, $9.99
Prince Freya Volume 6 GN, $9.99

YEN ON
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Sabikui Bisco Light Novel Volume 2 SC, $15.00

YEN PRESS
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That Time I Got Reincarnated As A Slime The Ways Of The Monster Nation Volume 7 GN, $13.00

ZENESCOPE ENTERTAINMENT
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Grimm Fairy Tales Presents May 4th 2022 Cosplay Pinup Special #1 (Cover B Igor Vitorino ), $5.99
Grimm Fairy Tales Presents May 4th 2022 Cosplay Pinup Special #1 (Cover C Derlis Santacruz), $5.99
Grimm Fairy Tales Presents May 4th 2022 Cosplay Pinup Special #1 (Cover D Michael Dooney), $5.99

Police reports

• A man listed as homeless was jailed under a high bond earlier this week on a felony drug charge and other violations after being encountered by officers during a breaking and entering in progress, according to Mount Airy Police Department reports.

Alfred Daniel Pacheco, 27, was located last Sunday at an unoccupied residence in the 300 block of Linville Road, owned by Old Banner Properties in Toast.

Pacheco allegedly had drugs on his person, resulting in charges of possession of a Schedule II controlled substance (methamphetamine), a felony; breaking and entering; possession of a Schedule VI controlled substance (marijuana); resisting, delaying or obstructing a public officer; possession of drug paraphernalia (a syringe); and possessing marijuana paraphernalia.

No property was reported stolen as a result of the break-in, with Pacheco confined in the Surry County Jail under a $15,000 secured bond and slated for a May 16 appearance in District Court.

• Police responding to a shoplifting call Monday at Lowes Foods filed felony drug charges against Sydney Brooke Leftwich, 28, of 252 Toast Road, and Zackary Wade Johnson, 34, of 145 Splendor Lane, which involved heroin.

Both were charged with possession of a Schedule I controlled substance, along with misdemeanor violations of possession of drug paraphernalia. Johnson additionally is accused of possessing a Schedule III controlled substance (listed as sublingual film Suboxone), also a misdemeanor.

Leftwich and Johnson were each jailed under a $500 secured bond, with Leftwich slated for a May 16 appearance in Surry District Court and Johnson, June 6.

• An orange and black Stihl weedeater valued at $400 and owned by Jennie Loucinda Lowry of Broad Street was stolen on April 30 from a trailer while at a location on Pender Street.

• Security personnel at Walmart reported on April 26 that an incident involving larceny and possession of stolen goods had occurred at the store, where a known suspect stole two Midea air-conditioning units valued at $518.

The case was still under investigation at last check.

• Soho Bar and Grill on Franklin Street was the scene of a larceny on April 25, when persons unknown ate there and left without paying the bill totaling $34, including for hibachi chicken, draft beer and other items.

• Miscellaneous tools valued at $2,000 were discovered stolen on April 23 from an outbuilding that was broken into on Lovill Circle, with a resident of that street, Charles Michael Lovill, listed as the victim.

• Police were told on April 19 that tools and equipment valued at $3,806 were missing after a break-in of a commercial/office building on Hickory Street. Included were various DeWalt power tools and battery packs, a welder stand kit, a vehicle computer code reader and vehicle parts/accessories.

Kevin Markham of Westview Drive is listed as the owner of the property.

Source

The Competitive Nature Of The Internet

The Competitive Nature Of The Internet

The net is a affordable and also incredibly difficult globe, where virtually every person gets on an equal opportunity. It is as a result definitely vital for a firm launching or relocating right into the shopping atmosphere to discover themselves a lasting affordable benefit via establishing their very own existing distinct expertises, whether by marketing unique items, supplying outstanding degrees of added client assistance, or making certain the real website is simple to browse yet appealing, distinct and also ingenious in its style.

It is really crucial to be mindful of the methods being made use of by your rivals online; as there are numerous aspects they can change/add on/stop utilizing which can negatively influence the number of consumers utilizing your website in advance of an additional to make their acquisitions online. Making a decision on what prices to bill the client, whether making a loss by making all ‘p & p’ totally free when a specific quantity is invested, or billing even more than needed to reclaim any kind of revenues shed by using the item itself at a decreased rate, is a crucial choice.

The site itself requires to be well constructed by a knowledgeable internet developer, ideally with SEO and also SEM experience, although this is not vital as a different individual can be used to make the website online search engine pleasant and also construct in all the tags and also web links once the style has actually been finished. An excellent internet developer is well worth investing the cash on, since a badly developed, house made website will certainly not just be unattractive to consumers, however provide no confidence in the safety of the website, implying they will certainly be not likely to turn over any type of bank card information. Numerous sales, as well as a result possible revenue, can be shed by attempting to reduce edges with the first prep work.

A completely made, eye-catching looking website will not do any individual any type of great if no one recognizes it’s also there! Just when the advert is clicked on, do you have to pay the search engine the agreed quantity, therefore the name ‘Pay Per Click’. It is very easy to see why expenses produced from this can include up– simply since a web browser clicks the advertisement, it does not suggest they will certainly make an acquisition from the website, so there is usually a great deal of cash invested for a tiny return.

Services not presently associated with ecommerce must absolutely follow suit earlier instead of later on, yet it is essential to check out, and also allocate, the ecommerce as a different sales network as well as strategy appropriately, to accomplish the most effective success.

It is extremely vital to be conscious of the strategies being utilized by your rivals online; as there are different aspects they can change/add on/stop making use of which can negatively influence the number of consumers utilizing your website in advance of one more to make their acquisitions online. The web site itself requires to be well developed by a skilled internet developer, ideally with SEO as well as SEM experience, although this is not vital as a different individual can be utilized to make the website search engine pleasant and also develop in all the tags and also web links once the style has actually been finished. An excellent internet developer is well worth investing the cash on, due to the fact that an improperly developed, residence made website will certainly not just be uninviting to consumers, yet provide them no belief in the protection of the website, indicating they will certainly be not likely to hand over any type of credit report card information. It is simple to see why expenses produced from this can include up– simply due to the fact that a web browser clicks the advertisement, it does not indicate they will certainly make an acquisition from the website, so there is usually a whole lot of cash invested for a tiny return.

THE FESTIVAL BEAT ! N°1000 and 7

THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995

DO NOT MISS A BIT from  CANNESOSCARFantasportoChelseaSonoma and many more  including industry comments on the war in UKRAINE!

Weekly newsletter N°1005 // 1006 Documenting the festivals experience since 1995, reaching over 196 000 subscribers:  

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With other 11 000 festivals worldwide which we cover: no wonder we have reached the 1000 mark for our newsletters count. We proudly share our knowledge of the circuit with our community and really hope our audience ENJOYED THE EXPERIENCE.In case you missed any of these 1000 newsletters … you ll find them all here

VIDEO : Arnold Schwarzenegger adressing the russian people and soldiers fighting in Ukraine

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“I love the Russian people. That is why I have to tell you the truth.Please watch and share.”  Schwarzenegger said in the video, posted by ATTN on Twitter   To my dear russian friends and the russian soldiers serving in Ukraine:  I am speaking to you today because there are things that are going on in the world that have been kept from you, terrible things that you should know about… Watch his video on twitter    

> FANTASPORTO IN FOCUS

Fantasporto 2022 : A look back at the program

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With the awards ceremony scheduled for tomorrow it is time to look back at the program of films and shorts which were featured at this year rainy filmfestival : rain brings more crowd into theatres which is also a positive thing. It slightly deprives you from the beauty of the city, buit thank god we have been here as a regular partner and we are now quite familiar with the city’s assets.   …

This friday in Fantasporto goodies and terror in the night

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FRIDAY, APRIL 8TH GRAND AUDITORIUM   16:00 CF/AN/OE Chicken of the Mound Xi Chen, 83′ (Chi) – Fiction Scientific – vol leg. english ./ leg. port . – preview European Robots rule the Earth but no hide the nostalgia of humans what already no exist . and do what _ they did — fight . machines infernals , crabs and humanoids , in a fabulous fictional animation _ scientific , selected for the Annecy Festival and the Ottawa Festival. 18:00 CF Night at the Eagl…

opening the week at Fantasporto Monday and Tuesday

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This Monday and Tuesday at Fantasporto 2022 WORLD PREVIEWS OF AMAZING FILMS, HIGHLIGHTING THE PORTUGUESE AMELINDA DE MIGUEL GOMES The program of this 42nd edition is very appetizing. Of the approximately 70 unpublished films and, in competition, selected, 26 are in WORLD AND EUROPEAN PREVIEW, an unprecedented number at a film festival in Portugal. This is clear if we look at the films already shown this weekend and those that will be shown this Monday and Tuesday, of which 6 are in World …

Strong start for Fantasporto : the audience is back

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  After an opening of a great show and a lot of public that almost filled the Rivoli and where xxxHOLIC was shown in the world premiere in an Official Session preceded by an intervention by Beatriz Pacheco Pereira, founder and co-director of Fantasporto with Mário Dorminsky, a room with about than 500 people saw or rewatched Ridley Scott’s BLADE RUNNER, in celebration of its 40th anniversary of its European premiere in 1982, also at FANTASPORTO, but in the old Carlos Alber…

Program for the opening week end at Fantasporto

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  42nd PORTO INTERNATIONAL CINEMA FESTIVAL RIVOLI THEATER   FRIDAY, APRIL 1ST GRAND AUDITORIUM   20:45 CF/OE Opening Session • Opening Night xxxHolic Mika Ninagawa, 110’ (Jap) – Fantastic/Manga – v. O. leg. english/leg. port. – World premiere A student named Watanuki wants a normal life. To get rid of what torments him, he is guided by a butterfly to a witch’s shop which reads “I can fulfill any d…

Strong start for Fantasporto : the audience is back

fanta22%20pigeon.jpg
After an opening of a great show and a lot of public that almost filled the Rivoli and where xxxHOLIC was shown in the world premiere in an Official Session preceded by an intervention by Beatriz Pacheco Pereira, founder and co-director of Fantasporto with Mário Dorminsky, a room with about than 500 people saw or rewatched Ridley Scott’s BLADE RUNNER, in celebration of its 40th anniversary of its European premiere in 1982, also at FANTASPORTO, but in the old Carlos Alber…

A lot on my plate at Fantasporto 2022 – special edition with an Ukrainian focus – Check our live coverage

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Filmfestivals.com returns as FANTASPORTO partner and looks forward to catching up with the beautiful city and 55 films in Portuguese Première in the 3 competitions   FANTASPORTO 2022 PRESENTS 25 EUROPEAN AND WORLD PREMIÈRES, A RECORD NUMBER IN PORTUGUESE FILM FESTIVALS.   The program also includes a retrospective of Classic Movies from the 30-60’s   The 42nd Oporto International Film Festival is proud to announce the proof of its international status: o…

Program for the opening week end at Fantasporto

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  42nd PORTO INTERNATIONAL CINEMA FESTIVAL RIVOLI THEATER   FRIDAY, APRIL 1ST GRAND AUDITORIUM   20:45 CF/OE Opening Session • Opening Night xxxHolic Mika Ninagawa, 110’ (Jap) – Fantastic/Manga – v. O. leg. english/leg. port. – World premiere A student named Watanuki wants a normal life. To get rid of what torments him, he is guided by a butterfly to a witch’s shop which reads “I can fulfill any d…

Japanese super production “xxxHOLIC” opens Fantasporto 42nd edition in world premiere

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Festival opener and in competition in the Official Fantastic Cinema Section   Porto International Film Festival | Fantasporto 2022, which will take place between April 1 and 10 at Teatro Rivoli, will have as its Official Opening film the world premiere of the Japanese super production “xxxHOLIC”, the live-action film adaptation of CLAMP ‘s xxxHOLiC manga , a film that will also be in competition at the official sections of Fantastic Cinema and Orient Express. The film wi…

American Documentary Film Festival in focus

American Documentary and Animation Film Festival for 11th Annual is Back in Person This Year

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Announcing the 11th Annual American Documentary And Animation Film Festival (AmDocs) will be back in person for 2022, featuring well over 200 documentary and animated works from around the world, April 7th-April 11th. The cost for the all-access pass to AmDocs 2022 is just $169, giving one carte blanche to all programs, including the Opening Night,   Roger Corman on the set. April 7-11 …

New Feature Length Documentary About Acclaimed Russian Film Star Oleg Vidov to Screen at 11th AMDOCS

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New Feature Length Documentary About Acclaimed Russian Film Star Oleg Vidov to Screen at 11th American Documentary and Animation Film Festival (AmDocs) April 11th   The film features the Brian Cox (Succession) and Costa Ronin (Homeland, The Endgame) as it explores the life and the daring escape to the West by the once famous and much beloved Soviet film actor in his quest for personal and creative freedom away from the dictatorial totalitarian regime of the USSR. Los Ang…

The great Roger Corman opens AMDOCS : watch our exclusive video interview

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“Roger Corman, Pope Of Pop Cinema” will open the 11th edition of AMDOCS filmfestivals.com met with the team at Santa Barbara Fest earlier this year: check our interview.   Many award-winning directors took their first steps while working for him, from Francis Coppola to Ron Howard, as well as Peter Bogdanovich, Martin Scorsese, Steven Spielberg and Joe Dante. He influenced the New Hollywood and contemporary moviemaking to such an extent tha…

FESTIVALS IN FOCUS …    

Announcing NFFTY’s 2022 in-person events in Seattle!

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JOIN NFFTY FOR IN-PERSON EVENTS Happening in Seattle, April 28 – May 1 There’s more to NFFTY than you know! In addition to their 15th Anniversary lineup of over 250 short films from the next generation of filmmakers, this year’s festival includes a weekend of in-person keynotes, masterclasses, and workshops to expand your film knowledge and meet others in the industry.  Event highlights include NFFTY’s 2022 Keynote: Adapting a Personal Narrativ…

American Documentary and Animation Film Festival for 11th Annual is Back in Person This Year

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Announcing the 11th Annual American Documentary And Animation Film Festival (AmDocs) will be back in person for 2022, featuring well over 200 documentary and animated works from around the world, April 7th-April 11th. The cost for the all-access pass to AmDocs 2022 is just $169, giving one carte blanche to all programs, including the Opening Night,   Roger Corman on the set. April 7-11 …

RIFF, 08, 2022, 12: A talk show on Raj Kapoor-The Master at Work

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RIFF, 08, 2022, 12: A talk show on Raj Kapoor-The Master at Work On Tuesday, the fifth day of the Rajasthan International Film Festival (RIFF) 2022, a talk show was held on the topic “Cinema and Books – A Boundless Relationship”. The basis of the discussion was the book “Raj Kapoor: The Master at Work”, written by Rahul Rawail, who worked as assistant director to the late genius for several years. Since then he has carved a niche for himself as a director of great merit, b…

FEFF CAMPUS 2022 – FEFF 24 invites 10 aspiring global journalists to become part of the FEFF Family!

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22/30 April 2022 – Udine, Italy, Teatro Nuovo and Visionario   FAR EAST FILM FESTIVAL 24 The Forces of the FEFF Campus Unite!   Far East Film Festival invites 10 aspiring global journalists/critics to become part of the FEFF Family.  The Far East Film Festival, in Udine, Italy, will continue to forge the bonds between the cinema worlds of the East and the West with the staging of the 8th edition of its FEFF Campus – the innovative educ…

RIFF 08, 2022, 10: Challenges and Future of Regional and Rajasthani Language and Films

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RIFF 08, 2022, 10: Challenges and Future of Regional and Rajasthani Language and Films On the third day of Rajasthan International Film Festival (RIFF), Jodhpur, a talk show was held on the subject Challenges and Future of Regional and Rajasthani Language and Films In this talk show, Ramesh Bohrana, Theatre Artiste and Film Actor Shailendra Vyas, Vice President of Rajasthan Mela Authority and French Film Director and Writer Fabienne Le Houérou, who has made a full length documentary o…

New York Festivals 2022 TV & Film Awards Shortlist Announced

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The 2022 New York Festivals® TV & Film Awards competition has announced the shortlist across 14 category groups.   Engaging film and television entries created by filmmakers and storytellers from 42 countries were judged online by the 2022 TV & Film Awards Grand Jury. Entries shortlisted include content from around the globe in primetime entertainment, documentaries, investigative journalism, sports coverage, promos, streaming media, and brand image films. View the 2022 shor…

RIFF 08, 2022, 09: Films for change in society

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RIFF 08, 2022, 09: Films for change in society As a regular feature, the Rajasthan International Film Festival (RIFF) holds Talk Shows, on the lines of the Open Forum, conducted by the Federation of Film Societies of India, at the International Film Festival of India (IFFI). In the first talk show, ‘Films for change in society’, held on 26 March 2022, Bollywood trade analyst Komal Nahta, Indian film producer, writer and director Chandrashekhar Narvekar (N. Chandra), famous Indian…

Bang Awards Festival calling for your animation

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Call for Entries until 30th June 2022! The 6th edition of the BANG AWARDS – International Animated Film Festival towards a public immersed in the digital arts, multimedia, illustration and film animation. Making best use of its online platform, BANG can reach all users and be watched on any screen anywhere in the world. The number of animators participants for our previous editions (more than 400 films) from all corners of the globe. The festival has a panel of inter…

34 Filmfest Dresden Announces Complete Festival Programme

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For the competition sections and special programmes of the 34 Filmfest Dresden (being held from 5 to 10 April 2022), a total of 355 shorts from 68 countries were selected. At yesterday’s festival programme press conference, Festival Directors Sylke Gottlebe and Anne Gaschütz together with members of the Selection Committees announced the complete programme for the 34 Filmfest Dresden (5 to 10 April). For the competition sections and special programmes, a total of 355 shorts from 68…

DOK.forum Format 2022 / Master’s Pitch / Call Nordisk Panorama

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The industry platform DOK.forum is meeting for the first time this year as a hybridly: on site in Munich and online. In workshops, panels, case studies and pitches we offer exciting insights into current industry topics. The Master’s Pitch 2022 is dedicated to the question of what filmmakers really need to get back on their feet after this challenging months. We think it’s time it’s also time to truly listen, reflect and pool together! For the German Guest Delegation to the Nor…

Come celebrate Earth Day with EarthX!

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  Expo – April 22-24  |  Conference – April 20-24 Kay Bailey Hutchison Convention Center Dallas, TX Fun Fact: Earth Day originated in the U.S. and became recognized worldwide by 1990! EarthX’s 12th annual Earth Day celebration is FREE and includes exhibits, learning and interactive experiences, outdoor activities, entertainment, music and food that provide solutions for a more sustainable future. Come check out our free events&…

PEOPLE IN FOCUS

Book Review: The Master at Work, by Rahul Rawail, a Masterly Work

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Book Review: The Master at Work, by Rahul Rawail, a Masterly Work How many 15 somethings would be offered chances to work as assistants to legendary directors like Raj Kapoor (RK)? Rahul Rawail was 15 going on 16 when he came on board with the master, who was then making Mera Naam Joker, and stayed on to assist him in Bobby. Over the next few years, Rahul earned his spurs the hard way, for RK was a genius who did not use conventional teaching methods, did not suffer fools and was not easy to …

Jesse Dean promoted to Vice President of Business Development for MAC Group

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Jesse Dean, Vice President of the Audio Division at MAC Group USA, is taking charge of New Business Development at MAC Group and has been promoted to Vice President of Business Development. With nearly two decades of experience in sales, marketing, manufacturing, and distribution, Jesse will now be applying his knowledge to expanding current partnerships and developing new business opportunities for MAC Group.   In his new role, Jesse will be leading the expansion of select MAC Group br…

First Film and Audiovisual Law Conference : 30th April and 1st May – Portugal

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Film and Audiovisual Law Conference: 30th April and 1st May 2022 – Espinho, Portugal The first Film, and Audiovisual Law Conference will occur on 30th April and 1st May 2022, in Espinho, Portugal. As a constantly evolving subject, Law for Film and Audiovisual is continuously adapting to the legislative technological and social evolution in this industry. Therefore, it is vital to have the most up-to-date knowledge available, as well as a space to discuss it. Addition…

Anna Pugacewicz appointed Deputy CEO of Newen Studios, leading support functions

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  Romain Bessi, Newen Studios CEO, has appointed Anna Pugacewicz as Deputy CEO, in charge of support functions. Photo ©Augustin Detienne_Capa Pictures   Since 2016, Anna Pugacewicz in her position as Deputy Managing Director of Newen Studios, has been in charge of Finance, Purchases and Information Systems. While assuming that role, she gradually expanded her responsibilities to new areas such as Innovation & technologies, and General Affairs.   She will now overs…

16 directors invited to l’Atelier de Cannes with their promising projects

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L’Atelier 2022 L’Atelier hosts its eighteenth edition this year and will invite to the Festival de Cannes 16 directors whose projects have been considered particularly promising. Together with their producers, they will be able to meet potential partners, a necessary step to finish their project and start the making of their film. L’Atelier provides its participants access to international co-productions, thus accelerating the film’s completion. …

Iris Knobloch, former distribution executive at Warner, elected next President of the Festival de Cannes

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Iris Knobloch © RR During its March 23 meeting, the Board of Directors of the Association Française du Festival International du Film which includes government officials and film industry members has elected the Festival’s new President.   As per the Festival’s regulations, the election was held via secret ballot and Mrs. Iris Knobloch was elected President of the Festival.   She is therefore becoming the first femal…

“Why you need to be screened at Festivals” A Masterclass with Bruno Chatelin at Bangkok Doc

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Bruno Chatelin filmfestivals.com co founder former head of SONY AND fox theatrical distribution shared his festival experience and advice for an hour to participants of BANGKOK INTERNATIONAL DOCUMENTARY AWARDS 2021 THE VIDEO WIL BE ACCESSIBLE FOR OUR AUDIENCE YOUTUBE CHANNEL OF BRUNO’S INTERVIEWS           …

FILMS IN FOCUS …     

Their Algeria / Leur Algerie; France, Algeria, Switzerland, Qatar; Lina Soualem, 2020

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It took a long time before the Western powers and Japan engaged in a critical examination of their colonial pasts and the crimes they committed in the occupied regions. France, which colonized Algeria from 1830 to 1962, is a case in point. The best known documentation is the 1966 feature Battle of Algiers by Gillo Pontecorvo which illustrates the escalating violence and atrocities committed by French armed forces against civilians and the response by the liberation movement FLN. Several years …

The great Roger Corman opens AMDOCS : watch our exclusive video interview

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“Roger Corman, Pope Of Pop Cinema” will open the 11th edition of AMDOCS filmfestivals.com met with the team at Santa Barbara Fest earlier this year: check our interview.   Many award-winning directors took their first steps while working for him, from Francis Coppola to Ron Howard, as well as Peter Bogdanovich, Martin Scorsese, Steven Spielberg and Joe Dante. He influenced the New Hollywood and contemporary moviemaking to such an extent tha…

Baz Luhrmann returns to Cannes with ELVIS

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  Australian director, screenwriter and producer Baz Luhrmann will attend the Festival de Cannes to present the world premiere of his latest feature film Elvis, along with Austin Butler, Tom Hanks and Olivia DeJonge. In addition to Baz Luhrmann and Tom Hanks, the Festival de Cannes is also delighted to welcome Austin Butler and Olivia DeJonge as Elvis and Priscilla Presley. The film explores the life and music of Elvis Presley (Austin Butler), seen through the prism of his…

Enough Lebanon’s darkest hour awarded Best International Documentary at Hollywood Golden Age International Festival

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The organizing and administrative team of Hollywood Golden Age started their activities in New York 2 years ago. This is a monthly New York-based film festival with a yearly event. Every month, our Jury will award the best films through private screenings. Monthly Award Winners will be chosen to compete in the online Award. …

A Hero, Review: On the see-saw of truth and lies

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A Hero, Review: On the see-saw of truth and lies Out on parole, a jailbird becomes a hero overnight, without lifting a finger. It wouldn’t be much of a story if it ended there, and it doesn’t. There are twists and turns, quite like a suspense thriller, only here there is no murder nor any serious crime committed. That’s the operative word. Serious. Is lying a crime? Is repeated lying a serious crime? Is lying to garnish a truth a very serious crime? Iranian master Asghar Far…

Pater Noster – A short film by Mikolaj Kopec

SYNOPSIS: In the last months of WW2, a wounded Nazi officer asks a Polish couple for their help. Haunted by pain and sorrow, especially in light of the cruelties inflicted on them by the war, they still have great faith in life and humanity. The husband and the wife then have to decide whether or not they accept to help the fleeing soldier.   TIMELINE:  Sept 21 – March 22: Script Development & Pre-Production Mid-April: Production (3 days) Late April/Early May: Post-Production…

Seven nominations for “Time is Eternal at La Jolla International Fashion Film Festival

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“Time is Eternal” is nominated for BEST PICTURE, BEST DIRECTORS,  BEST CINEMATOGRAPHY, BEST COSTUMES, BEST MUSIC, bEST SOUND,BEST ACTRESS and BEST NARRATION at . Congrats to the team!     La Jolla International Fashion Film Festival is the first international fashion film festival founded in North America. The 13th La Jolla will be held July 29-30, 2022. The Cannes of the fashion film world. Home to the International Fashion Film Awar…

>AWARDS WATCH …   

Jonathan Baker’s Oscar Soirée Evokes Old Hollywood Glamour

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Mike Burns and Jonathan Baker On March 27, 2022, producer/director Jonathan Baker hosted an exclusive Oscar viewing party at his Beverly Hills home, Baker Manor, the former residence of Warren Beatty and Annette Bening. The glamourous event was presented by Baker, in collaboration with French Riviera Film Festival founders Nicole Muj and Gotham Chandna. Celebrities and industry executives in attendance inc 

25th Edition of Sonoma Film Festival (SIFF) Jury & Audience Winners

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  Features   Best English Language: – Pretty Problems   Best Foreign Language: Open Season   Honorable Mention: Tailor     Documentary   Come Back Anytime   Honorable Mention: Blind Ambition   Shorts   Animation – Life Blood     Comedy – Silvertop   Documentary – H…

PARTNERS FESTIVAL AND MARKETS NEWS    

“Beyond Borders” International Documentary Festival in Castellorizo

August 21-28, 2022
 
 Calling: January 2 – April 30, 2022

 «CastellorizoThe Aegean Island where Documentaries meet History & Culture»

The 7th International Documentary Festival «Beyond Borders», Castellorizo island, has the pleasure to invite documentary film-makers to submit their films from 2nd of January 2022 until 30th of April, 2022. The Festival’s objective is to promote the most important documentary productions worldwide that focus on history, culture, politics and other social issues. «Beyond Borders» which takes place every year during the last week of August, will be held once again under the patronage of H.E. the President of the Hellenic Republic Ms. Katerina Sakellaropoulou. It is produced by the Hellenic History Foundation () in collaboration with Ecrans des Mondes (Paris) and the Society for the Restoration of Megisti, (Sydney). «Beyond Borders» includes a selection of Greek, European and worldwide productions of the last five years, workshops, parallel events and master classes.

Please, find the application form and the participation terms here:

French Riviera Film Festival 

May 21 – 22, 2022
 

PARTNER FESTIVAL WITH FILMFESTIVALS.COM

DO NOT MISS OUR APRIL 13 DEADLINE

The fourth annual French Riviera Film Festival (FRFF) will recognize and celebrate short-form content created for film, television, Web and all digital platforms. In the glamorous South of France setting, FRFF invites filmmakers from around the globe to participate in the two-day festival that includes screenings, awards ceremony, and closing gala party. FRFF will place the spotlight on the best short-form filmed content during the time period of the annual Festival de Cannes. A prestigious jury panel will select Best Drama Short, Best Comedy Short, Best Documentary Short, Best Animation Short, Best Experimental Short, Best Lifestyle Short, Best Fashion Short, Best Music Video, Best Female Filmmaker Award, Best Director Award, Best Actor Award, Best Actress Award, Best Activism Short, Best Micro Short Award, Industry Excellence Award, and Lifetime Achievement Awards . Attendees and participants will include filmmakers, industry executives, celebrities, media, and influencers. https://filmfreeway.com/FrenchRivieraFilmFestival

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Your Script Produced Studios: season 3
November 3 – 7, 2022

March 31, 2022 Regular deadline

Discovering and Producing Talented Writers and Filmmakers left behind by the entertainment industry, worldwide!

The return of Entertainment’s unparalleled event!

Season 3 SPECIAL EDITION: Accepting the following submissions: Features, Pilots, Shorts AND Documentaries!

THERE IS NO AGE LIMIT ON SUCCESS! WE ARE ACCEPTING SUBMISSIONS FROM ALL AGES, WORLDWIDE! Anyone under the age of 18 MUST submit a parental consent form.

ALL GENRES / SUB GENRES ACCEPTED!

Writers & Filmmakers of ALL ages can submit.

ACCEPTING:  FEATURES  /   PILOTS  /  SHORTS / DOCUMENTARIES!

OVER $500,000.00 IN PRODUCTION BUDGETS – CASH – AWARDS -PRIZES

Official website page, visit:
www.YourScriptProduced.com

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New Media Film Festival
June 1 – 2, 2022

April 3, 2022 FINAL DEADLINE

New Media Film Festival®, an innovative and award-winning* festival created in 2009, celebrates stories, technology, and platforms. We continually implement new opportunities outside the norm to bolster creators in media.

Judges from HBO, MARVEL, EMMYS, BBC, Grammys, PBS & more. $45,000.00 In Awards

Through our boundary pushing ideology, we create an environment for creators to thrive. New Media Film Festival® is an infinite catalyst for story and technology. Not just any stories, but the stories worth telling.

All submissions come with perks – one of them is consideration for distribution.
NETFLIX – 1st look deal, documentaries specifically.
AMC-1st look deal, feature length, & series – all types

New – NFT category
New – PITCHING – our Producer Panel & Pitching is now online. Submit your Pitch today!
New – One Page Feedback add on to Script Category
All categories –
360, AR, AI, 5D, Animation, Apps, Artwork, Digital Comics, Documentary, Drone, Feature, Mixed Reality, Mobile/Tablet, Music Only, Music Video, New Media, Pilots, Pitching, Podcasts, Scripts, Shorts, Sniplers (30 second pitch), SR- Socially Responsible, STEAM, Student, Trailers, TV, Virtual Reality, Web Series, Web Series Promo (one scene)

**Please note, New Media category includes Gaming, Tech Vlog’s, VE, Vertical, Live, Location Based, etc.

June 1st Global Online and June 2nd in person at the state of the art theater, The Landmark in Los Angeles CA

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Paleochora Lost World Short Film Festival  
May 28 – June 2, 2022

Regular deadline: April 15, 2022

The ‘Lost World’ of Paleochora nestles between the Mountains and Sea in South West Crete and is the perfect location for Filmmakers to convene to show their work, network with colleagues and enjoy our fabulous Cretan hospitality. We may be at the most southern point of Europe, but there are BIG Film things happening here and on the entire Island of Crete. Our main aim will be to select films which focus on great storytelling, whether fiction, documentary or any other accepted genre.

Paleochora Lost World Short Film Festival launched its 1st edition in June 2019 to a spectacular success. The Festival enjoyed packed audiences at all screenings and played host to 22 visiting Filmmakers & Industry guests from as far afield as Brazil, USA, France, Ireland, UK, Germany, Greece & Iran. Check out our photos here as well as the Festival Vibe & interview videos on our YouTube Channel (Copy & Paste the link):
https://www.youtube.com/channel/UCfnk7RWWnYUTFmB2cpfxz6g

Screenings are held Under the Stars in the Town Hall Square with daytime programmes held at the fabulous Pearl Cavo oceanside venue.

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FESTIVAL TRAILERS PARK                > SUNDANCE CHANNEL

THE CANNES CHANNEL                    > AFM CHANNEL

BRUNO CHATELIN INTERVIEWED              > TUTORIALS FOR FILMFESTIVALS.COM

“THE BEST FOR FESTS :

ONES TO WATCH FOR FESTIVAL CONSIDERATION

THE THRILL  by Gordi de st. Jeor 8 minutes USA Jan 29 2022

Starring Aidan Browne and Sofia Masson

A young guitarist is about to play the biggest show of his life. Things don’t quite go as expected…

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TIME IS ETERNAL by Dreamteam filmmaker duo of Bayou Bennett and Daniel Lir – Starring berite labelle

Short Film Fantasy  USA  December 2021 – 14 Minutes 20 seconds  

A prestigious feminine writer examines in her most recent novel what it means to be a woman across history and conjures up Cleopatra, Queen of Egypt and fierce feminine writer/philosopher Mary Wollenstonecraft(mother of Mary Shelley, author of Frakenstein) who have crossed deserts of eternal time to meet.

The women materialize into her present time environment and recount their greatest victories, defeats, loves, regrets and dreams.

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ORIGAMI IN THE GARDEN by Barbara Bentree
Documentary December 2021 – USA  90 minutes
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Kevin Box has always known exactly what he intends to do with his life. In his words, “I want to have a conversation with people now and hundreds of years into the future.”

As an artist, Kevin has been fascinated by the evolution of “lost wax casting” to create bronze sculptures and he spent many of his early years being mentored by other successful sculptors. Through his own R&D, he developed a unique signature by “unfolding” origami and casting these beautiful patterns into museum quality wall hangings.
“ORIGAMI IN THE GARDEN” traces the career arc of Kevin and his partner/wife Jennifer as they now continue to create multiple traveling exhibitions of their artwork. Over the past decade, their unique sculptures have been viewed all over the country by millions of people.
“ORIGAMI IN THE GARDEN” is an Artfilm, a Love Story, and an inspiration for all by showing what is possible…just starting with a simple piece of paper!

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HOT MONEY by Susan Kucera (director of Jeff Bridges Living in the future’s past)

Former NATO Supreme Allied Commander, General Wesley Clark and his son Wes Clark Jr. take us on a journey through the complicated realities of our financial system and its profound exposure to climate change. Hot Money outs the whole game, the whole charade, the whole crapshoot of the money system with all the humor and intelligence of a New Yorker cartoon. Combined with the wisdom of international business experts and academics, Hot Money is rich with historical context. It severs the knot of economic and political forces that may lead to societal collapse.

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12TH HOUR narrated by David Morse

Documentary by Susan Kucera (director of Jeff Bridges Living in the future’s past)

USA July 2021 51 minutes 48 seconds

Much of our population currently lives with hopeful delusions about climate change. These delusions, many of which are built in by evolution, hamper our ability to meaningfully address the problem.

Our brains evolved to solve short-term challenges for our survival. Climate change is a long-term challenge to our survival. Can we bridge the gap between these modes of thinking?

Emmy-nominated actor David Morse narrates the brutally honest 12th hour with insight from noted evolutionary biologists, climate scientists, cognitive researchers and psychologists.

Visionary thinkers like Peter Russell, Dr. Paul Piff, Dr. Kari Norgaard and dozens of the brightest minds in academia lay out an unflinching look at mankind: our past, our abilities, our shortcomings and what may be humankind’s final destination.

If we have any hope to survive the changes we’ve locked in to our climate, we need to be honest with ourselves and our limitations. The 12th Hour lays out our biases so that we may overcome them.

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ENOUGH Lebanon’s Darkest Hour
 

Documentary by Daisy Gedeon second feature documentary
Australia  june 2021 90 minutes (in post)
 

ENOUGH! Lebanon’s Darkest Hour follows Australian-Lebanese filmmaker Daizy Gedeon’s personal and independent introspection into how her ancestral homeland, the place her family was forced to flee in the 1970s because of the Civil War, has ended up in a state of complete catastrophe. It is a story of awakening in which Daizy is forced to abandon her idealism about Lebanon and face the cold, harsh truth about the country’s dark underbelly which is its most sinister enemy.

Daizy prosecutes the case against the corrupt political class which has reduced a proud people to beg for garbage collection instead of greatness and negotiate potholes rather than peace.

ENOUGH! is the plea and the prayer, the feeling and fierce determination of the 4.5 million Lebanese in Lebanon as well as the 16 million members of the Lebanese diaspora scattered around the world, whose hearts continue to bleed for a homeland they are desperate to return to and so deeply want to believe in…once again.

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The Sound of Us directed by Chris Gero

“The Sound of Us” illustrates that during this critical time in world and U.S. history, music gives sound to hope and courage, allows us to grieve and be honest, and is the great, universal language that unites us all.

As the world grapples with unrest the profound truth remains that, through music, we are not alone.

The Sound of Us weaves inspiring stories about the beauty and goodness of music with interviews and performances by artists such as Ben Folds, Sarah McLachlan, Avery*Sunshine, Eric Whitacre, Preservation Hall Jazz Band, Hiromi, Antonio Sanchez, Butch Walker, Will Wells, Patti Smith, and many more. Combined, these powerful vignettes illustrate how music heals us, gives us hope for the future through our children, keeps our heritage and history alive, allows us to have the most difficult of conversations, sheds light on current struggles, and continues to invite us back to the thing that unites us all – music.

The film is directed by Chris Gero, a Grammy nominated, American music industry executive, concert producer, record producer, songwriter, film director and composer, founder of Yamaha Entertainment Group of America and Chief Artist Relations Executive for Yamaha Artist Relations Group

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INVISIBLE HAND  by Matthew Taylor
director of The Creepy LineMarcel Duchamp the art of the possibleSafeguard an electoral debate

USA  28 minutes August 2021

Invisible Hand is an exploration of memory. Our unnamed protagonist lives a life of repetition and insecurity. Every day is a blur of abstract actions until one night she meets a dark stranger who gives her a mysterious gift. Her life is turned upside down when she confronts a terrifying truth about her past. Deciding to take herself out of the abstract daily routine, she journeys into the crevices of her memory to untangle a dark secret that could ultimately destroy her.

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Aliens on Halloween by Riker Lynch
29 / 39 or 43 minutes, short comedy April 2021

In an attempt to snatch a sample of human DNA, two clueless aliens come down to Earth and crash a Halloween party in Hollywood.

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Zero Gravity USA first film directed by Thomas Verrette
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74 minutes First feature documentary USA April 2021

A diverse group of middle-school students go on the journey of a lifetime when they compete in a nationwide competition sponsored by MIT to code satellites aboard the International Space Station.

Zero Gravity is a feature documentary that follows a diverse group of middle-school students from San Jose, CA, who compete in a nationwide tournament to code satellites aboard the International Space Station.
 
Seen through the wondrous eyes of three diverse young students and their first-time coach, they each take an intimate and personal journey to space as their team grows from amateur coders to representing California in the ISS Finals Tournament — the culmination of a summer-long adventure that sees their incredible accomplishment performed by astronauts in orbit.

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Safeguard: An Electoral College Story Documentary by Matthew Taylor

USA September 2020 77minutes

How do United States’ presidential elections really work? And what would happen if we changed the rules? In Safeguard: An Electoral College Story, award-winning filmmaker M.A. Taylor answers those questions.

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BLUE MOTEL Award winning script by Ted Campbell
Feature film in production by Doval Bacall Films

Grand Winner Your Script Produced season 1  Platinum Remi Award WorldFest Houston

When his bank robber father injured in a recent heist seeks refuge at the desolate motel where he works, a motel clerk is forced to confront the truth behind a botched heist from his past.

Originally from Boston, Mass, Ted Campbell is a screenwriter and director who specializes in thoughtful, character driven thrillers. Ted will direct his heist thriller “Underground” with producer Ellen Wander of Film Bridge International. His contained, crime thriller “Blue Motel” won the Grand Prize in Your Script Produced screenplay competition. Ted will direct “Blue Motel” with Doval Bacall Films producing. Ted is a member of ISA’s Development Program. And was named to ISA’s Top 25 Screenwriters To Watch list.

Ted finds inspiration in the works of the great noir writers Dashiell Hammett, Raymond Chandler and Ross MacDonald as well as his screenwriting idols Scott Frank, Shane Black, Tony Gilroy and Richard Wenk.

Ask for Ted Campbell’s script

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SAVING NORTH – A RUSSIAN AMERICAN ODYSSEY by J Mitchell Johnson
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Russia USA Feature documentary April 2020 Director’s cut: 79 minutes

What happened, what can happen to the centuries old amazing wooden churches in north of Russia. Photographer Richard Davies trips to Russia and USA tell stories on human soul, hope and russian american…cooperation in restoring beauty.

Saving North is the story of a struggle for human and cultural survival in the mysterious and insular world of the Russian North. An outsider from England, photographer Richard Davies, enters this mysterious and vast region of the world with the hope of documenting both the glory and the tragic demise of its rapidly disappearing Wooden Churches. 

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Digital Gym

> NEWS IN FRENCH   

Des partenariats forts avec les plus grands festivals et marchés
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Nous sommes très fiers des bonnes relations et des partenariats signé avec les plus grands festivals et marchés : Venice Production Bridge, FestForums Santa Barbara, AFM, Animaze, Tallinn Black Night International Film Festival, Houston WorldFest, Fantasporto, et Cannes Market bien entendu et beaucoup d’autres. Nous sommes heureux de pouvoir grace à ces parteneriats pouvoir apporter news et dailies à …

Concours de la jeune critique au Festival La Rochelle Cinéma

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Photo : Voyage à deux Stanley Donen Pour la 5e année, dans la continuité des nombreuses actions menées en direction des lycéens et étudiants, le Festival La Rochelle Cinéma organise un concours de la jeune critique (écrite, audio, vidéo), en partenariat avec l’Hôtel Saint-Nicolas de La Rochelle, Blink Blank, Capricci Éditions, LaCinetek, Positif et Transfuge. Vous avez moins de 30 …

« Tout pour être heureux ? » : un film inédit au cœur des familles pour parler des drogues et de l’alcool

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  « En allant à la rencontre des sœurs et frères des personnes dépendantes, Jérôme nous entraîne dans un voyage intime qui libère la parole. »   À l’origine, une angoisse chez Jérôme : celle de voir sa fille emprunter le même chemin que celui de son frère Cédric.    Un chemin ou plutôt une sortie de route… &nbs…

Baz Luhrmann revient pour la quatrième fois au Festival de Cannes avec Elvis

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Le réalisateur, scénariste et producteur australien Baz Luhrmann sera au Festival de Cannes pour présenter en avant-première mondiale son dernier film, Elvis, en compagnie de Austin Butler, Tom Hanks, et Olivia DeJonge.   Le Festival est très heureux d’accueillir sur la Croisette, aux côtés de Baz Luhrmann et Tom Hanks, les interprètes Austin Butler et Olivia DeJonge dans les rôles de Elvis et Priscilla Presley….

Valence scénario dévoile son affiche nouveau site internet

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Nous avons entièrement repensé l’arborescence du site, pour vous proposer une expérience plus simple, plus claire, et plus agréable.   N’hésitez pas à nous dire ce que vous en pensez !  Découvrez le nouveau site internet ! À l’occasion de la 25ème édition du Festival, l’agence LMPolymago a imaginé notre nouveau visuel.    Accueillez le printemps avec nous, pour accompagn…

Klondike Grand vainqueur du FIFF: le palmarès du FIFF 2022

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Film qui, selon le Jury de la critique, «impose une vision et un propos d’une ampleur exceptionnelle» et dont le Jury international est convaincu que sa «réalisatrice jouera un rôle majeur dans le cinéma international ces prochaines années», Klondike, l’œuvre choc de l’Ukrainienne Maryna Er Gorbach, a raflé le Grand Prix du Jury international Longs métrages, le Critics’ Choice Award et une mention sp…

Casita Maria Presents The 11

Casita Maria presents the South Bronx Culture Festival 2022 with the generous support of Councilmember Rafael Salamanca Jr. Since 2011, the Festival has celebrated the best of South Bronx arts and culture through an annual visual art and performance series anchored by a new theme each year. This year’s theme, ¡Yo Soy La Salsa! literally translates to, “I am the Sauce”, but is understood to mean, I am the root, the rhythm, the beat, the spice, the music. If each individual is the “sauce”, then collectively the community that attends the Festival is the culture we uplift and experience joy with through music, dance and visual art. The outdoor performances will take place June 3-5 at Father Gigante Plaza in front of St. Athanasius Church, 878 Tiffany St, Bronx, NY 10459. A new mural, designed in collaboration with Young Artists of Casita Maria and Puerto Rican artists Colectivo Moriviví, will be painted from June 12-23 with an unveiling on June 24. Everyone is welcome to attend all events in person for free and to also watch the Festival events broadcast by our media partner BronxNet Television.

Bilingual Celebrity MCs and BronxNet hosts, Rhina Valentin & Javier E. Gomez, along with DJs Christian Mártir, Boston Chery and Grandwizzard Theodore will provide the throughline for 11 performance groups representing genres such as Argentine tango, mariachi, roots drum and dance, latin jazz and of course salsa! Headliners include, freestyle pioneer and classic Salsa singer Brenda K Starr, two-time Grammy award winner and Fania Allstar famed Eddie Montalvo and & his Orquestra, and Casita Maria’s own 9-piece jazz ensemble BronX BandA featuring seven time Grammy award winning artist Arturo O’Farrill. 

Our partnerships with community based organizations help us to present all aged performers at different points in their careers. Young artists from Hunts Point Alliance for Children will be presenting Shakespearean monologues related to music and art. The Afro Latin Jazz Alliance’s pre-professional group Fat Afro Latin Jazz Cats is a 25 piece orchestra that plays repertoire from the Afro Latin Jazz orchestra’s catalog and Bronx Arts Ensemble will present culturally responsive performing arts by Bodoma Garifuna Culture Band. Additional partners provide educational information including the New York Fire Department, Urban Health Plan and the New York Public Library. Lastly, Bronx Night Market will present 12 Bronx based food vendors to keep audiences energized to dance the night away. 

Use of the plaza was kindly donated by Sebco Development Inc.

Schedule of Performers and Events

Friday, June 03, 2022

03:30- 06:00 p.m.: New York Public Library Book Mobile

03:30 – 07:00 p.m. (Food Vendors) Bronx Night Market 

03:30 – 04:30 p.m. (DJ) Christian Mártir

04:00 – 04:15 p.m.: (Dance) Young Artists of Casita Maria

04:30 – 05:15 p.m. (Argentine Tango) Los Chantas Quartet and dancers Orlando Reyes Ibarra, Carolina Jaurena, Marcelo Mesa and Adriana Salgado Neira 

05:15 – 06:00 p.m. (DJ) Christian Mártir

06:00 -07:00 p.m. (Salsa) Eddie Montalvo & his Orquestra / Cache Studios dancers

Saturday, June 04, 2022

Throughout The Day: Hunts Point Alliance for Children Youth Monologues

1-6pm: New York Public Library Book Mobile

1-7: (Food Vendors) Bronx Night Market 

1-1:45: (DJ) Boston Chery

1:45-2:30: (Roots Drum & Dance) Legacy Women

2:30-3: (DJ) Boston Chery

3-3:45: Bronx Arts Ensemble Presents Bodoma Garifuna Culture Band

3:45-4:15: (DJ) Boston Chery

4:15-5: Mariachi Real de México with Ballet Folklorico Mexicano de Nueva York

5-5:30: (DJ) Boston Chery

5:30-7: (Salsa) Brenda K Starr / Cache Studios dancers

Sunday, June 05, 2022

1-5pm: (Food Vendors) Bronx Night Market 

1-2: (DJ) Grandwizzard Theodore

2-3: Fat Afro Latin Jazz Cats

3-3:30: (DJ) Grandwizzard Theodore

3:30-5: (Jazz) BronX BandA featuring Arturo O’Farrill

FDNY will have a fire truck and Smoke House available for tours at select times throughout the weekend.

To learn more visit: casitamaria.org/south-bronx-culture-trail

Rain Location: Casita Maria Auditorium, 928 Simpson Street, Bronx, NY 10459

About the Presenter

Since 1934, Casita Maria has served as a cultural and community anchor for thousands of South Bronx and East Harlem young people and their families. As New York City’s first and oldest Latino-serving community organization, Casita Maria showcases and champions the community’s artistic and cultural legacy, channeling the power of this unique heritage to educate, inspire, and encourage young people to become exceptional artists, scholars, and leaders. Dedicated to enriching the lives of youth and families in the community, Casita Maria offers shared cultural, art, and educational experiences including free after school programs and public art programs. Casita Maria builds an active South Bronx community by showcasing the beauty, life, and creativity embedded in every block. 

Casita Maria online:

Website: casitamaria.org

Facebook: facebook.com/casitamariabx

About the Artists

Ballet Folklorico Mexicano de Nueva York (BFMNY) is a nonprofit organization whose mission is to stimulate public interest in Mexican history and culture promoting the art of traditional folkloric dance. It aims to make Mexican history and culture more widely accessible to a diverse audience, educate the public about Mexican traditions and build a more culturally diverse society through dance performances, exhibitions, workshops and educational programs.

Bfmny.org

The Bodoma Garifuna Culture Band is made up of nine members who came together in 2002 to celebrate their heritage through ancestral-African customs through music.

At 14, Brenda K Starr met Harry Belafonte on an audition for the musical, “Beat Street”. In the midst of negotiating her first deal, she was intercepted by producer Arthur Baker who offered a recording deal on the Mirage record label. In the late 80’s Brenda had many hits including the Grammy-nominated # 1 pop ballad “I Still Believe”. The first, which was re-recorded and turned, once more, into a mega hit by one of Brenda’s backup singers at the time, the international Superstar Mariah Carey. At the same time that Carey was working as Brenda’s back up vocalist. Soon after that Brenda’s Spanish influence began to emerge. Her first Spanish album release “Te Sigo Esperando”, was certified Gold then Platinum by the RIAA. It was followed by three Spanish language albums, “No Lo Voy A Olvidar”, “Petalos de Fuego” and the critically acclaimed “Temptation”, which in 2002 garnered two Latin Billboard Awards for Hot Latin Track of the Year-Vocal Duo and Tropical /Salsa Airplay track of the Year-Female. The singer continued her career moving into her native Salsa roots. Soon she was a star on the Sony label, with a major hit in which she sang with internationally acclaimed crooners like Victor Manuelle and Tito Nieves.

Brendakstarr.com

BronX BandA is Casita Maria’s latest collaboration with Grammy Award-winning artist Arturo O’Farrill. This nine-piece improvisational ensemble is bridging the gap between performers and audiences by weaving original jazz creations into the daily life of the community. Compositions and performances integrate local musicians and collaborative artists, melding traditional jazz with the sounds and stories of the community. casitamaria.org/creative-arts/bronx-banda

Juan Portella is the Executive Director and Co-Founder of Cache Studios. Affectionately known by his students as “El Profesor” or “ El Maestro”; his innate ability to instill confidence into his students as he skillfully passes along his knowledge of dance technique, is what allows everyone the ability to learn and grasp his concepts instantly. His expertise in timing, technique, and movement have made him a highly sought after master instructor for his energetic and impactful classes/workshops. CacheDanceStudios.com

Fat Afro Latin Jazz Cats are a pre-professional training ensemble made up of young people from across the New York Metropolitan Area. Students audition to join the ensembles that play music from the library of the Grammy Award-winning Afro Latin Jazz Orchestra under the tutelage of the orchestra. To learn more, please visit here.

​​​Carolina Jaurena was bound at an early age to follow a desire to perform. She has been teaching and performing for over 20 years, the height of her professional career is marked by her role as a primary dancer in the feature film Random Hearts directed by Sidney Pollack. 

Legacy Women is an all-women Afro-Caribbean roots drum and dance troupe that plays traditional genres of Bomba from Puerto Rico and Palos from Dominican Republic with an urban twist. Through original songs that advance women’s dreams, challenge oppression and promote healing, Legacy Women promote joy and connection for all audiences. For more information, please visit here.

Los Chantas are a multinational tango ensemble based in New York City. Their repertoire draws from the great Argentine tango tradition from the guardia vieja to the present. The group has been playing in milongas, clubs, theaters, and other venues in and around New York since its inception in 2002. With original arrangements of songs by Gardel, Troilo, Salgán, Piazzolla, and others, and a playful, improvised style, Los Chantas infuse classic tangos with new life and unique flavor. To learn more, please visit here.

Mariachi Real De Mexico was founded in 1991 by Ramon Ponce, Sr and Ramon Jr. The band is considered to be the most important and sought after mariachi ensemble in New York and the North East of the United States. They have performed at Carnegie Hall, Lincoln Center, Madison Square Garden, Radio City Music Hall, Constitution Hall, Kennedy Center and More. In 2002 they founded The Mariachi Academy of New York a non-profit organization devoted to preserve the beautiful tradition and music of mariachi for future generations. To learn more, please visit here.

Eddie Montalvo is a two time Grammy winner & Grammy nominee in the Salsa genre. He has recorded over 250 Salsa albums as a recording artist with Willie colon, Celia Cruz, Johnny Pacheco, Hector Lavoe, Ruben Blades, Pete Conde Rodríguez, Juan Luis Guerra, Paul Simón-( the capeman), Fania Allstars, Puerto Rico Allstars, Gilberto Santarosa, Adalberto Santiago, Hector Casanova to name a few. Montalvo is endorsed by Latin Percussion and has his own signature line of conga drums. He is also endorsed by Remo Conga Heads. He has recorded two productions (CD) with his Orquestra. The titles of the CDs are Desde Nueva York a Puerto Rico and Señor Tambo. Montalvo performed in the movie El Cantante with Jennifer López & Marc Anthony. To learn more, please visit here.

Mural Team

Colectivo Moriviví is a women driven artistic collective that has been producing public art and artivism since 2013. Their artistic production consists of muralism, community-led muralism, and protest performance/actions. They believe that through artivism they can promote consciousness on social issues, producing what they call the collective “imaginario” (imaginary/imagery). The collective “imaginario” is the imagery they build in their artwork that resonates with Puerto Rican narratives strengthening a collective memory. Their intention is to make community and that their history is not denied, that’s why they use public art to achieve it. colectivomorivivi.com/about-us

About the Partners

Afro Latin Jazz Alliance (ALJA) was founded in 2007 by GRAMMY®-award winning, pianist and composer Arturo O’Farrill. In early 2007, O’Farrill and the Afro Latin Jazz Orchestra (ALJO) left Jazz at Lincoln Center to pursue the twin goals of developing new audiences for big band Latin jazz and creating a robust educational program for young performers. With the support of a group of prominent leaders from the worlds of jazz and Latin culture, O’Farrill launched ALJA to serve as a non-profit organization that could advance both the performance and educational aspects of this uniquely Pan-American art form. To learn more, please visit here.

Bronx Arts Ensemble brings music and related arts to Bronx schools and neighborhoods. We contribute to the cultures of our Bronx communities through live performances and innovative arts education that stimulate creativity, imagination, and aspirations. To learn more, please visit here.

BronxNet Community Television provides programming and opportunities to inspire, educate, inform, engage and promote community voices for the Bronx and beyond. To learn more, please visit bronxnet.org.

Bronx Night Market enhances the borough’s food scene by producing world-class, affordable, inclusive, and fun events. The are a small, diverse, majority female-operated team that’s passionate about creating fun and informed experiences for the “love-to-eat” community. We aim to showcase the vibrancy of the Bronx and its convergence with food and culture and create valuable opportunities for more micro-businesses and young entrepreneurs. At just four years old, Bronx Night Market, a brand under the MASC Hospitality Group, has become one of the most recognized brands in the Bronx and greater NY area. To learn more, please visit here.

Hunts Point Alliance for Children expands the hopes and potential of Hunts Point children—nurturing young scholars along their path to college or career by unifying their diverse collective of community organizations to connect every family with the resources they deserve. To learn more, please visit here.

New York Fire Department’s Fire Safety Education Program’s goal is to eliminate residential fire deaths in New York City. Fire deaths have dropped steadily during the past decades and studies have shown that there is a direct link to strong public education programs. The goal of FDNY instructors is to continually educate the public with critical life saving strategies that focus on fire prevention, with a special focus on the City’s most vulnerable populations and at-risk communities. To lear more, please visit here.

For 125 years, The New York Public Library has been a free provider of education and information for the people of New York and beyond. With 92 locations—including research and branch libraries—throughout the Bronx, Manhattan, and Staten Island, the Library offers free materials, computer access, classes, exhibitions, programming and more to everyone from toddlers to scholars, and has seen record numbers of attendance and circulation in recent years. The New York Public Library receives approximately 16 million visits through its doors annually and millions more around the globe who use its resources at www.nypl.org. To offer this wide array of free programming, The New York Public Library relies on both public and private funding. Learn more about how to support the library here.

In an attempt to fight the blight and deterioration that had plagued the Hunts Point community of the Bronx, the group known as SEBCO (South East Bronx Community Organization) was formed in the fall of 1968 under the visionary leadership of Father Louis R. Gigante. SEBCO is responsible for the development and construction of over 6,000 new or rehabilitated housing units in approximately 450 buildings throughout the South Bronx. SEBCO has grown from a small group of community activists into a sizable and sophisticated development company with over 300 employees. From modest origins, SEBCO has contributed greatly to the City of New York by providing jobs, commerce, recreational facilities and of course, housing for its low and moderate-income residents. To learn more, please visit here.

Urban Health Plan is a not-for-profit system of twelve health centers, one mental health center, twelve school-based health centers and three part-time clinics, located in New York City’s South Bronx, Corona, Queens and Central Harlem communities. Founded in 1974 by Dr. Richard Izquierdo, a local physician, We provide care to patients, regardless of their ability to pay. UHP provides comprehensive and affordable primary and specialty health care services to all the communities we serve. These include the Latino, African-American, South Asian and West African communities, as well as other emerging communities. To learn more, please visit here.

About Casita Maria Center For Arts & Education

Casita Maria Center For Arts & Education is the first and oldest Latino 501(c)(3) charity in NYC, founded in 1934.

The South Bronx-based community arts and educational organization presents diverse, contemporary visual and performing arts and education programming for all ages.

Casita Maria creates a safe and welcoming community, enriching and uplifting youth and families towards success, through shared cultural, art and educational experiences and programs.

Location:

PREVIEWSworld’s New Releases for 4/20/22

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Every week, PREVIEWSworld announces which comics, graphic novels, toys and other pop-culture merchandise will arrive at your local comic shop. The products will be on sale in comic shops on the indicated date.

NOTE: This list of Premier Publisher titles is tentative and subject to change. Please check with your retailer for availability.

PREMIER PUBLISHERS

ITEM CODE DESCRIPTION PRICE
BOOM! STUDIOS
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DARK HORSE COMICS
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DYNAMITE ENTERTAINMENT
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MARVEL COMICS
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SMART Global Holdings, Inc. (SGH) CEO Mark Adams on Q2 2022 Results – Earnings Call Transcript | Seeking Alpha

SMART Global Holdings, Inc. (NASDAQ:SGH) Q2 2022 Earnings Conference Call April 5, 2022 4:30 PM ET

Suzanne Schmidt – Head of Investor Relations

Mark Adams – President & Chief Executive Officer

Ken Rizvi – Senior Vice President & Chief Financial Officer

Jack Pacheco – Chief Operating Officer

Conference Call Participants

Tom O’Malley – Barclays

Kevin Cassidy – Rosenblatt Securities

Sidney Ho – Deutsche Bank

Raji Gill – Needham & Company

Ladies and gentlemen, thank you for standing by, and welcome to the SGH Second Quarter Fiscal 2022 Earnings Call. All lines have been placed on mute to prevent any background noise. After the speakers’ remarks, there will be a question-and-answer session. [Operator Instructions]

Suzanne Schmidt, you may begin your conference.

Suzanne Schmidt

Thank you, operator. Good afternoon, and thank you for joining us on today’s earnings conference call and webcast to discuss SGH’s second quarter fiscal ’22 results. Joining me today are Mark Adams, Chief Executive Officer; Jack Pacheco, Chief Operating Officer; and Ken Rizvi, Chief Financial Officer.

You can find the accompanying slide presentation and earnings press release for this call on the Investor Relations section of our website. We encourage you to go to the site throughout the quarter for the most current information on the company, including information on the various financial conferences we will attend.

I would also like to remind everyone to read the use of forward-looking statements note that we have included in the earnings press release and the earnings call presentation. Please note that certain of the statements made today may constitute forward-looking statements and that these statements are our present expectations and that actual events or results may differ materially.

We also discuss both GAAP and non-GAAP financial measures. Non-GAAP measures should not be considered in isolation from, as a substitute for or superior to our GAAP results. We encourage you to consider all measures when analyzing our performance. A reconciliation of GAAP to non-GAAP measures is included in today’s press release.

We will begin the call with CEO, Mark Adams, who will provide a business update; and then Ken Rizvi, CFO, will review the financials and forward guidance, after which we will take questions. Mark?

Mark Adams

Thank you, Suzanne, and thank you to all who have joined us today.

We delivered another strong operating quarter at SGH, with total second quarter revenues of $449 million, above the midpoint of our guidance range, non-GAAP gross margins at the high end of our guidance range at 26% and non-GAAP earnings of $0.87 per share which also came in well above the midpoint of our guidance. As a reminder, these per share results reflect the 2-for-1 share split that became effective at the beginning of February.

In addition, we made progress in the following areas during the quarter. We strengthened our balance sheet with term loan refinancing, increasing our liquidity and extending our overall debt maturity. We announced a $75 million share repurchase authorization today, demonstrating confidence in our business and the growth opportunities that we see over the long term, and we continue to improve our corporate governance with the appointment of Penny Herscher as Chair of our Board of Directors, and we now have a fully independent Board except for me in my role as a CEO.

Each one of our businesses, Intelligent Platform Solutions, Memory Solutions and LED Solutions, delivered solid results despite the continuing macroeconomic challenges, including the supply chain constraints facing all companies, the impact of operating in COVID times and of course, the conflict in Eastern Europe. As many of our peers have also reported, supply chain challenges remain with us, and if anything, have heightened from a few months ago. That said, I am very proud of the operational focus and tireless work of our supply chain teams that set SGH apart and importantly, places us in a position to drive continued support for our customers as well as enabling us to deliver strong results for our shareholders.

Let me turn to a review of each of our businesses, starting with Intelligent Platform Solutions Group, or IPS, where revenue came in at $82 million for the second quarter. As we’ve stated in the past, the quarterly level of business can vary due to the timing of deployments of various projects. And this was the case in Q2. That said, business is performing very well with the first half fiscal ’22 IPS revenue of just over $200 million, which is up 33% compared with the first half of fiscal ’21.

An important part of this growth is our investment in services. Second quarter services revenue grew by 41% compared with Q2 of the prior fiscal year. Overall, services represented approximately 26% of IPS revenue in Q2. IPS continues to expand customer engagements across the ultra-scale, government and oil and gas market segments.

Specific to the ultra-scale market, Penguin Computing announced its role in providing both AI optimized architecture and managed services for Meta’s cutting-edge AI supercomputer called the AI Research SuperCluster or RSC. In its final build-out expected for mid-2022, the RSC is expected to utilize more than 16,000 NVIDIA GPUs and 1 exabyte of storage, which Meta believes will make it the fastest and largest AI supercomputer in the world.

The RSC platform was designed to ensure performance availability, data integrity and managed security, all critical elements of an AI optimized infrastructure. This engagement with Meta has been developed over several years, and is a testament to ability to address the unique needs of significant high-performance and AI compute application environments, highlighting our ability to provide a comprehensive solution of optimized hardware, software and ongoing services.

We also continue to invest in the edge, a strategic segment of our business where we have experienced success in the telecommunication market as well as the government sector. We will continue to evolve and grow this business as part of our overall IPS strategy.

As we think about our third quarter, component level supply constraints are moving a portion of our expected delivery date out from fiscal Q3 into fiscal Q4 and in certain cases, into our fiscal 2023. As these constraints are industry-wide, its revenue shift is more of a timing issue and not reflected by our customer demand or lost revenue. This will be contemplated as part of our guidance for Q3 that Ken will provide.

We also recently announced a new umbrella brand for IPS called Penguin Solutions. Our customers will now identify all aspects of IPS under the single brand name, and we will leverage this new brand to showcase the full breadth of our capabilities. We will continue to use the name Penguin Computing when referring to current HPC products, including the servers, storage and our data center support. We will use the Penguin Edge name to refer to new edge-related solutions and legacy embedded and wireless products.

The new Penguin Solutions brand also reflects the direction we are taking to innovate and scale our offerings, delivering solutions and services that span the continuum of edge, core to cloud. Overall, we see growth in our new business funnel, both in terms of commercial and federal business by expanding existing agents and focusing on new customer acquisitions. We are expecting a strong second half of fiscal 2022 and continued momentum as we head into 2023.

Now turning to LED Solutions. Our LED Solutions Group, which operates under the Cree LED brand, had another strong quarter of operating performance. Revenues were $107 million in Q2, with product revenues up approximately 5% when compared with Q2 fiscal 2021 when this business was still part of Wolfspeed. Year-over-year revenue growth is being driven by customer wins with our high brightness products into the video, architectural and landscape specialty lighting markets.

We continue to execute on our manufacturing transformation plan, which includes the transition from silicon carbide to sapphire wafers and from a captive manufacturing model to an outsourced capital-light model. We expect this transition to be largely completed by calendar fourth quarter.

On the product front, the team is delivering innovative appetizing optimized LEDs, enabling a variety of lighting design while achieving the best overall system value. We are seeing good traction with our CV94D products in the video display market as well as new design wins for the horticulture market, indoor sports lighting and road signage applications, each representing specialty areas of focus where our technology and product offering differentiate us versus our competitors.

It has now been 1 year since the acquisition of Cree LED, and I continue to be impressed with the team’s focus and ability to drive improvements in our product roadmaps, customer engagement, and operational excellence. With Cree LED’s long history of innovation and continuously improving technology and the focus of high-powered general lighting, mid-power general lighting, specialty and video, we believe the LED Solutions Group can deliver continued strong results in the coming year.

In our Memory Solutions Group, operating under the SMART Modular brand name, revenues totaled $260 million, which was up 9% compared with the prior quarter and up 19% compared with Q2 of the prior fiscal year. This growth was driven by sales of our core specialty memory offerings such as DDR3, DDR4 and flash products to our customers in the networking telecom and storage end markets as well as a favorable mix of higher density products, such as our DDIMM product for the high-end server market.

While we continue to support our customers with legacy DDR3 and DDR4-based products, we are positioning ourselves to offer next-generation products optimized for DDR5 and next-generation Flash-based controller-based memory solutions. We are working closely with our key customers in the development of new products for data center and cloud applications, such as NV-CXL and CXL Add-in Card solutions. We were recently selected as a validation partner for a CXL E3.S memory module by a major semiconductor company for their next-generation CPU, another proof point in the investments we are making in advanced memory solutions.

For applications at the edge of the network, we are seeing opportunities for specialization in terms of readiness, low power, and smaller form factors, all of which play to our strength of high mix, low-volume differentiated solutions.

Our custom encrypted SATA product in a USB form factor is expected to ramp from fiscal ’23 and expand our Flash storage capabilities targeted for network infrastructure equipment and systems. In Brazil, we have completed the transition to our facility where we assemble our system-level products, including our new SSD product line, which we expect to ramp by the end of this fiscal year.

Our results for the second quarter clearly demonstrate the benefits of our diversification strategy. And while we continue to see supply chain constraints similar to other businesses in the electronic supply chain, we continue to meet the expectations of our customers and are optimistic about our ability to not only expand our footprint with existing customers, but also to grow our business with new customers across all 3 lines of our business.

At this time, I’ll hand it over to Ken for a more detailed review of the financials and our guidance for the next quarter. Ken?

Ken Rizvi

Thanks, Mark. I will focus my remarks on non-GAAP results, which are reconciled to GAAP in our earnings release tables. In addition, my commentary reflects the 2-for-1 share split in the form of a dividend that took effect in February of 2022.

The second fiscal quarter of 2022 is the eighth consecutive quarter of year-over-year growth for SGH, demonstrating how our strategy continues to yield positive results. A year ago, our Q2 sales were just over $300 million, and our non-GAAP gross margin was 19.5%. In the second quarter of 2022, sales came in at $449 million, and non-GAAP gross margin was 26%. We see tremendous opportunities ahead for SGH to deliver advanced technology solutions for our customers across all 3 of our businesses.

Now let me turn to our detailed results for the second fiscal quarter of 2022. We reported another strong quarter. Net sales were $449 million, a 48% increase year-over-year for the second quarter of fiscal 2021. In addition, non-GAAP gross margin came in at 26% and at the high end of our guidance range. And non-GAAP diluted earnings per share was $0.87 for the second quarter, above the high end of our guidance range.

Our 48% year-over-year SGH revenue growth was helped by the incorporation of Cree LED into SGH. Excluding Cree LED, our revenues grew 13% year-over-year, driven by strength in our Memory Solutions business.

For the second quarter, IPS had revenues of $82 million. As we have discussed in our previous earnings calls, the IPS business will continue to have quarter-to-quarter variability in revenue and gross margin based on the timing of hardware, services and software in every given quarter. That being said, the first half of 2022 for IPS was very strong with sales over $200 million and a growth of 33% from the same period a year ago.

Our LED Solutions Group had revenues of $107 million in the second quarter, which was in line with our expectations from last quarter, and product sales were up approximately 5% when compared to the year ago quarter when this business was still a part of Wolfspeed. Our Memory Solutions Group had revenues of $260 million in the second quarter, 19% higher than the second quarter of the previous fiscal year and was higher both for our Specialty Memory and Brazil businesses.

Non-GAAP gross margin for SGH in the second quarter was 26%, up from 19.5% in the second quarter of fiscal 2021. Non-GAAP operating expenses for the second quarter were $59.5 million, up approximately from $32 million in the second quarter of 2021. Operating expenses were up primarily due to the inclusion of LED Solutions and continued investments in our Memory Solutions and IPS businesses.

In addition, operating expenses benefited in the second quarter of 2022 from $6 million in financial credits in Brazil. This helped offset our Brazil R&D spending which is required to realize this credit. This credit was set to expire in January of 2022, but the law enabling this credit was extended through 2026. We do, however, expect the benefits from this credit to be reduced going forward, in part due to some of our production moving to our Manaus facility. As a result, we currently anticipate approximately $2 million to $3 million of credits benefiting us in our fiscal third quarter.

Non-GAAP diluted earnings per share for the second quarter of 2022 was $0.87 per share, up approximately 100% from $0.44 per share in the year ago quarter. Adjusted EBITDA for the second quarter of 2022 was $66 million or 14.7% of sales compared to $31 million or 10.2% of sales in the second quarter of 2021.

Our breakdown of net sales by end market for the second quarter of 2022 was as follows: mobile and PCs was 23%; network and telecom, 11%; servers and storage, 15%; AI, data analytics and machine learning, 12%; advanced lighting, 24%; and industrial, defense and other, 15%.

Turning to working capital. Our net accounts receivable totaled $386 million compared with $344 million last quarter. Days sales outstanding came in at 45 days, up 6 days from last quarter. Inventory totaled $334 million at the end of the second quarter, up from $318 million at the end of the prior quarter. This growth was driven primarily by higher inventory for IPS as we prepare for builds in the second half of the year. Inventory turns were 8.1x in the second quarter versus 8.6x in the prior quarter. And consistent with past practice, accounts receivable, days outstanding and inventory turnover are calculated on a gross sales and cost of goods sold basis, which were $789 million and $676 million, respectively, for the second quarter. As a reminder, the difference between gross revenue and net sales is related to our Logistics Services business, which is accounted for on an agent basis, meaning that we only recognize the net profit on Logistics Services as net sales.

During the second quarter, we also completed a refinancing to strengthen our balance sheet, extend our debt maturities and add to our liquidity. The refinancing was completed via $275 million Term Loan A facility and a $250 million revolving credit facility, with the net proceeds from the term loan used to retire approximately $160 million of debt, ending the seller note for the Cree LED acquisition and the outstanding amounts under our ABL.

Cash and equivalents totaled $366 million at the end of the second quarter compared with $233 million at the end of the prior quarter. Second quarter cash flow from operations totaled $32.2 million compared with $15.1 million in the prior quarter. With the continued global electronic supply chain constraints, more of our capital has been tied up in working capital over the past year.

For those of you tracking CapEx and depreciation, CapEx was $7.4 million in the second quarter and depreciation was $10.2 million.

Before turning to our guidance, I wanted to discuss the $75 million share repurchase authorization we announced today. This capital allocation decision reflects our strong balance sheet and our expectations for continued cash flow growth. First and foremost, we will continue to invest in our businesses as we see significant opportunities for further organic growth in each of our 3 business segments. Second, we will continue to review and seek acquisition opportunities for further scale and diversification in a disciplined manner, which we believe can provide strong shareholder returns as we have seen with our most recent acquisition of Cree LED.

And finally, the share repurchase authorization provides us flexibility to return capital to our shareholders in an opportunistic and price-sensitive manner and to utilize the volatility we have seen in the markets and potential to capture value if there is further divergence between our share price and financial results.

Turning to our fiscal third quarter 2022 guidance. We expect that net sales for the third quarter of 2022 will range from approximately $435 million to $475 million, up slightly at the midpoint from the second quarter and impacted by some of the supply chain constraints we highlighted earlier. Our GAAP gross margin for the third quarter is expected to be between 23% and 25%. Non-GAAP gross margin for the third quarter is expected to be approximately 24% to 26%. Our non-GAAP operating expenses for the third quarter are expected to be in the range of $60 million to $66 million. GAAP diluted earnings per share for the third quarter is expected to be approximately $0.35 and plus or minus $0.08.

On a non-GAAP basis, excluding share-based compensation expense, intangible asset amortization expense, debt discount and other adjustments, we expect non-GAAP diluted earnings per share will be approximately $0.70, plus or minus $0.08.

Cash capital expenditures for the third quarter are expected to be in the range of $12 million to $16 million. Our GAAP diluted share count for the third quarter is expected to be approximately 57 million shares based on our current stock price. Our non-GAAP diluted share count is expected to be approximately 54 million shares as it includes the benefit of our convertible note capped calls.

Our forecast for the third fiscal quarter of 2022 is based on the current environment, which contemplates the current constraints in the global supply chain. Please refer to the non-GAAP financial information section and the reconciliation of GAAP to non-GAAP measures tables in our earnings release for further details.

Operator, we are now ready for questions.

[Operator Instructions]. Your first question comes from the line of Brian Chin with Stifel.

Brian Chin

Thanks for letting us ask a few questions. Maybe to kick things off, can you, I guess, provide your fiscal third quarter revenue guide would have been were not for the constraints? And can you also relay sort of which businesses are most affected and which are the revenues — what kinds of revenues are impacted all the way out to kind of fiscal 1Q?

Ken Rizvi

Sure. Thanks for the question. This is Ken. Yes, I think similar other companies in the supply chain, we are impacted by the constraints that folks within the electronic supply chain are seeing. So if you look at our business specifically, say we’re seeing that within our overall IPS segment, where some of the constraints have pushed out sales, as we’ve talked about into Q3, into Q4 and even into 2023 in certain instances.

Now I’d just remind you, a lot of the business that we do for IPS is very custom nature. So it’s not a loss of sales, it’s just nearly a push out into a future quarter. Now specific to one we’ve talked about in the past around some government orders, which totaled about $68 million in size. We announced that several months ago. That specific order, as an example, instead of happening in that Q3 and Q4 time frame, is now more likely to happen in the Q4 and into Q1 time frame, albeit we still need to lock down some of the components related to that product. So that is an example, Brian, of movements that can occur given the constraints we’re seeing.

Mark Adams

I think I would add — so Brian, I would add — this is Mark. I would add also that that’s an example that Ken used. I think we’ve seen a less dramatic but still noticeable impact across the other businesses. And that’s reflected in Ken’s guidance. I think the team did a great job and kind of supporting our customers, but you got a sense to scale what could have been had we had clear selling.

Ken Rizvi

Yes. And that being said, I mean, we had a great quarter, a great Q2. If you look at the performance across overall SGH. And if you look at the guide for Q3, we’re happy given the constraints we’ve talked about. The backlog overall as we look out into Q4 and even into 2023 looks good. So we’re very excited about the business and where we are today.

Brian Chin

Got it. Got it. Understood. And just relative to the overall guide in the business, is it right to kind of rank order of the segments maybe some growth — highest growth in memory, maybe some growth in LED and then IPS sort of flattish, maybe down a little bit. Is that sort of the right way to think sequentially?

Mark Adams

Sequentially maybe, but overall growth opportunity, I wouldn’t read too much into that trend either because I think our funnel in IPS continues to remain robust. And memory has been a pleasant surprise at the rate it’s growing. We thought it was a growth in the kind of the high single digits. And as Ken highlighted, memory was up 19% versus the same quarter of ’21. We continue to find new application win designs that — in the memory space. And the LED business, as we highlighted, is up year-over-year. So I think if you’re looking about growth rates per se, I think from just a broad market opportunity, I think this is probably the grower at the highest rate in terms of market opportunity, followed by memory, followed by LED.

Brian Chin

Sure, sure. Okay. That makes a lot of sense. Maybe lastly, just to close out with Ken and just more of a financial model question. The extension of the R&D credit, $6 million benefit in fiscal 2Q, you’re talking $2 million to $3 million benefit in fiscal 3Q. Is the right way to think about that than sort of a $3 million to $4 million sequential increase in R&D? Or is some of that budget maybe being…

Ken Rizvi

I guess, Brian, that’s best way to think about that. And that’s embedded in our OpEx guidance. And part of the reason that you see that our guide for OpEx is in that $60 million to $66 million range was a result of lower credit in Brazil for R&D.

Brian Chin

Yes. I was going to ask, Ken, is there another offset you’re getting somewhere else in the P&L to sort of counterbalance sort of the increase — sequential increase in the R&D?

Ken Rizvi

All of that is embedded in the guidance that we gave, Brian. So if you look at Q3, that is factored in. There are some benefits in terms of being able to manufacture in Manaus. That’s a free trade zone. So there are some benefits there. Some of that is on the COGS side, but all of that’s baked into our overall guide as we look at Q3.

Your next question comes from the line of Tom O’Malley with Barclays.

Tom O’Malley

I just wanted to dive a little bit more into the outperformance in the Memory Solutions Group. You noted on the call, you saw a sequential revenue higher for both specialty in Brazil, but could you dive in a little more there about where you saw the strength as it did come in a bit stronger than you expected?

Ken Rizvi

Yes. So, Tom, great call out. So if we look at our overall memory business, as Mark highlighted and I highlighted earlier, we saw a very strong sequential growth quarter-on-quarter. That growth was in that 19% range overall. And then actually, if I look sequentially for both of the businesses, meaning the Brazil business and the specialty business, both had very strong growth quarter-on-quarter as well. So they were in a very similar range if I look at the sequential growth Q1 to Q2 of this year.

Tom O’Malley

Helpful. And then obviously, in the environment we’re in right now, you have inflation moving higher, consumer discretionary spend maybe a risk in certain areas. Could you just talk about how you’re handicapping the Brazil business? When you look out embedded in your model and what you said at the Analyst Day, is there anything different about the way you thought about that business as a long-term grower and I mean the Memory Solutions Group, just with the change in the macro, particularly in Brazil?

Mark Adams

Nothing that I would suggest is a radical change. I think as you’re aware, we have a brand-new product category in Brazil launching by the end of our fiscal year in solid state drives. We continue to be the largest player in broad memory semiconductor solutions in Brazil. Of course, if macroeconomic wins go sideways from here, there can be an impact. But we’re looking more at kind of just how to grow these solutions and opportunities as a lot of the basis for our move to Manaus. And we think there’s a good growth from here. So sure, if there’s a massive demand shock to the system, we’ll have to think differently. But we haven’t seen significant headwind yet in our business, and we’re not anticipating that in the short term.

Tom O’Malley

Helpful. And then just if I could sneak one more, and I think Brian asked the question. Mark, you talked about the longer-term growth rates, but you guys have been helpful giving color in the past on sequential growth rates. Could you just offer any detail on the sequential growth for each of your 3 businesses into the next quarter?

Mark Adams

I’m going to let Ken take the actual numbers. I can just comment on a little bit. As I said, Ken gave an example of some of the supply chain impact on our Q2, Q3 numbers and that certainly impacts kind of sequential growth rates. My commentary was around the demand piece of that equation.

From an upside growth from here, we continue to remain very bullish in IPS and seeing strong growth in the Memory Solutions piece as well and just great overall operating performance and gross margin expansion in Cree LED. It’s just been a good recipe for outstanding results. And so I’ll let Ken talk about the actual data behind that, but pretty bullish about the business as we see it.

Ken Rizvi

Yes. So as we look at our guide, it is a midpoint up a bit from Q2 levels to that $455 million range at midpoint. And the way to think about that would be the memory business overall relatively flat plus or minus a bit versus Q2. If we think about the LED business, it’s also relatively flat, and we would expect that, that IPS business can grow a bit here Q2 to Q3.

Your next question comes from the line of Kevin Cassidy with Rosenblatt.

Kevin Cassidy

Thank you for letting me ask a question and congratulations on the great results. Just as we’re talking about IPS and Mark, I think you mentioned that the opportunity funnel is growing. Can you say — can you compare it to last year? Is it up — the opportunity is up 20%, 50%? Or what’s driving the demand?

Mark Adams

I guess the best index I can give you is what we just completed and that’s just from data, that’s just factual that we — first half fiscal ’22 is up, I think it was 33% year-over-year. And again, we continue to see not only new opportunities but growth in existing customer relationships. And why that’s important? Because I think I explained in the past that the transition from a development platform to a production platform is significant in terms of the scale of relationships and the overall size of the business opportunity with our customers. And that’s going to be meaningful as we kind of continue to expand this business.

And as Ken highlighted, we remain very confident in our opportunity to deliver growth. And I would say that just some of the supply chain issues are more tiny in nature. And by the way, we’ve talked about that in terms of the time and deployments. So we’re very happy with the growth in the first half, and we’re very bullish about the opportunity in IPS as we head in the second half.

Kevin Cassidy

Okay. Great. And maybe to — there’s a lot of questions I get from investors about inventory building in that end customers and in the channel. But you’re showing growth in your memory business and especially specialty memory. That’s custom, but would any of your customers be building inventory for custom products?

Mark Adams

Yes. I think it — we’re very careful with that. And I understand the question. It’s a really good question. It’s probably a good question across all of our businesses really. It’s less of an issue in IPS given the nature of our agreements and the custom nature of the products developed for that segment. In Specialty Memory, very similarly. And a lot of times, not all of them, but in many cases, we’re sole sourced on a product design, not necessarily at the customer, but sole source on a specific design. So there’s not much double ordering that we’re seeing, and we’re kind of working with the customers on this.

And quite frankly, I think it’s a different — this is much different than a memory cycle in the past. This is a broad electronic cycle across the whole supply chain. So I think people are more willing to be in longer supply commitments and not have — in a lot of our cases, in each of these businesses, these orders are non-cancelable. And so I would — I think we’re in pretty good shape on the memory side of the house. And of course, LED on the foundry model, outsourced capital-light model, we’re in pretty good shape there.

We continue to watch channel inventories as well. What you’re seeing on our balance sheet, and Ken can comment on this as well, is that given our supply side challenges, we’re being strategic in trying to position ourselves so we can deliver and continue to grow the business as we have in the past.

Ken Rizvi

Yes. So Kevin, on that, when you think about some of the design wins or even the demand specific to the IPS segment, these are large system orders, they can be $2 million, $3 million, $4 million, $5 million, $10 million plus in size. And so from a supply chain standpoint, we just need to be able to order all of those components in part that make up that system. And so that’s where we are, as Mark just highlighted, being a bit strategic just to make sure that we could continue to meet the customer demands and the timelines we’re committing to our customers.

Your next question comes from the line of Sidney Ho with Deutsche Bank.

Sidney Ho

Maybe one more question on IPS side. IPS down 30% quarter-over-quarter was a lot lower than we expected. I hear you that you were supply constrained, but what would it be without those constraints? What were you in your expectation? And then maybe — I know you talked about IPS probably growing a little bit in the next quarter. How are you thinking about the growth rate for the full year calendar ’22, especially given that some of the contracts may — some of it like the government contracts got pushed out from just 3Q 4Q to basically second half of ’22? What is the right number to think about for the year?

Mark Adams

Yes. Fair enough. So I think a couple of things. So even as we look at Q2 and Q3, they have — there were some pushouts we talked about what was the specific number. It is in that neighborhood, I would say, $15 million to $20 million of movement that moved from Q2 into Q3. And reality is some of that just because of the constraints can move into Q4. I highlighted one example of that, where it’s a large order that has pushed out, not because of anything except for being able to get all of the components together for that complete system.

So I mean that’s the reality that we’re in. We’ve got to call it how it is. But as we’ve talked about that IPS business, good demand, good backlog as we look out into — back into Q4 and even into the beginning of next year. And so hopefully, we can — the supply chain will ease a bit, and we’ll be able to fulfill those demand trends.

Sidney Ho

Okay. Maybe my follow-up question is on the gross margin side. I know you don’t give out the gross margin by segment anymore, but can you give us some qualitative comments as to how gross margin by segment have done in the quarter on a sequential basis? When we put that mix of software services side, which business is seeing the most impact from higher logistics cost or input costs? And are you able to offset that with any kind of price increases?

Mark Adams

Yes. So if we — you’re correct. So we do not provide the gross margin specifics quarter-to-quarter. But if I look kind of Q1 to Q2, I would say memory did come down a little bit in terms of the margins. IPS was flat to up a bit and LED was pretty flat quarter-to-quarter overall for the margins, but we don’t provide the specifics in terms of an actual gross margin percent. And sorry, the second part of that question?

Sidney Ho

Yes, it’s more about which business is impacted most from whether higher logistics costs or higher input costs? And are you able to offset that with any kind of price increases?

Mark Adams

Yes. So on some of the products, actually, we don’t bear those costs in terms of the logistics. So those are pass-through costs essentially. So all of that, when we think about our guidance, we have baked that into Q3 in terms of our overall guidance, both on the margin side and on the COGS side to get to our gross margin. So those have been baked into our outlook here for Q3.

Your next question comes from the line of Raji Gill with Needham & Company.

Raji Gill

Thank you. And congrats on the recent momentum. Question on the gross margin, on the guidance. So Ken, you mentioned the guide is 25%. If I look at the incremental revenue, that’s about $6 million, and then it implies that the gross profit will be down about $3 million despite the fact that revenue is going up by about $6 million. Since I know you mentioned kind of lumpiness in IPS in terms with respect to the software service component. But wondering if you could kind of give some clarity on kind of the mix of — of the mix effect that you’re seeing in the gross margin in the May quarter?

Ken Rizvi

Yes, no problem. So good question. So if we look at the margins from Q2 to Q3, there’s a couple of factors. One, I would say there is some margin impact on the memory side, albeit very small. And then even within — in IPS, you’ve already highlighted it, and we talked about it before. And even within the LED business, there’s some geographic mix. So depending on where our sales are geographically throughout the world, there can be some mixed benefits or headwinds this quarter in Q3. Based on the geographic mix, there will be a little bit of a headwind, and that gets us to that 25% plus or minus 1 point on margins.

Raji Gill

Great. That’s helpful. When we’re looking — you talked about expectations for a strong fiscal second half, particularly around the IPS business. But then you talked about $15 million to $20 million worth of kind of sales that were being pushed into the second quarter and into the third quarter and beyond and you kind of left it a little bit vague saying it could be even pushed into the next fiscal year.

So I guess my question is, how confident are you in terms of securing a certain amount of components in order to meet this demand in this funnel, particularly around these kind of large government orders? And kind of maybe if you could provide a little more detail on where the constraints are with respect to your position? And what specific components are you seeing the most acute constraints?

Ken Rizvi

Yes. So if we look at — I won’t give you specific components, but I would say some of these are around the semiconductor supply chain. So I won’t make names, but I think you’ve seen it through others in the electronics industries where there are some shortages of specific semiconductor chipsets. That, along with even things like power cords and the like that have impacted when we can ship out these large systems. So we’re talking about small components in the scheme of an overall system. But those still have an impact when you’re looking to ship out these large-scale systems overall.

Mark Adams

Raji, the only other comment I would add is that, some of this is also just due to the sequential nature of the deployment. And so if something moves from Q3 into Q4, that might be the beginning of a push for the next quarter only because we’re deploying a system that has to get validated until we go add incremental capacity or technology beyond that. And so these deployments are not just necessarily within a quarter or a onetime event. And the growth of potentially adding capacity to a system might lead a Q3 push to Q4 impacting a Q4 shipping.

By the way, I just want to make sure everyone understands, a, all this was contemplated in Ken’s guidance; and b, the business continues to be robust. We’re not able to call Q4 yet as we are still working on getting the components lined up for finishing out fiscal year. But the commentary you’re hearing is pretty bullish. And so we’re just being transparent about the supply chain challenges, and we’re also being transparent that the demand side looks pretty good.

Operator

There no further questions. I’ll turn the call back to Mark Adams for closing remarks.

Mark Adams

Thank you, operator, and thanks to all of you for your continued interest and support. When I started less than 2 years ago, we committed to delivering on our growth and diversification strategy by focusing on operational excellence. Our top line continues to grow. And we’ve expanded gross margins from less than 20% in fiscal year 2020 to the mid-20% range today of some 600 basis points to 700 basis points, all of which allows us to deliver strong earnings per share results to our shareholders.

In addition, we are delivering on our goal to operate as a best-in-class company from an ESG perspective. Last fall, we delivered our first ever ESG report, highlighting our performance to date and future goals. We’ve also made great strides in the area of corporate governance, including shifting to an independent Board of Directors in the naming of Penny as our Chair. Our commitment to our shareholders is to make continuous progress and operate SGH as a best-in-class public company. We appreciate all of you for joining today’s call.

This concludes today’s conference call. Thank you for joining. You may now disconnect.

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