O Algarve fica-te bem!

“O Algarve fica-te bem” é o mote da campanha promocional do Turismo do Algarve, que tem como objetivo motivar não só os turistas nacionais, como também os estrangeiros, a desfrutarem das férias do verão 2020 na região, reforçando a confiança na marca Algarve e, consequentemente, a notoriedade do principal destino turístico do país.
Este filme motivacional é protagonizado por um dos casais de influencers de viagens de maior sucesso internacional da atualidade, Raquel e Miguel, dois jovens portugueses apaixonados por viagens… e pelo Algarve, onde quis o destino em tempos se conhecessem e tivesse acontecido amor à primeira vista.

Regressaram ao Algarve para partilharem com as centenas de milhares de seguidores da página de Instagram @explorerssaurus_ experiências únicas em lugares excecionais dispersos pela região, tais como quedas de água, um dos tesouros do interior algarvio; vilas pitorescas como Ferragudo, à beira-rio Arade; praias de extensos areais e águas cristalinas, em plena ria Formosa, ou ainda praias mais recônditas e escondidas entre arribas, no Barlavento algarvio.
E deixam o convite aos turistas portugueses e estrangeiros para que, após esta pausa destes últimos meses, visitem – ou revisitem – a região, que a explorem e desfrutem da vasta oferta turística do destino, com propostas que vão do sol e mar à natureza e náutica de recreio, da cultura à gastronomia e vinhos, sem esquecer a fantástica oferta hoteleira, e voltem a descobrir como lhes fica bem este Algarve.

Créditos
Produtora de Vídeo – New Light Pictures
Direção e Argumento: João Viegas
Diretor de Fotografia: Pedro Matos
Primeiro Assistente de Câmera: Patrício Faísca
Segundo Assistente de Câmera: Tiago da Cruz
Fotografia: Hélio Ramos
Maquilhagem: Susana Aleixo
Som: André Espada
Piloto de drone: Ricardo Flôxo
Edição: Pedro Matos
Efeitos Visuais: Patrício Faísca
Pós-produção Áudio: André Espada
Colorista: Patrício Faísca
Gaffer: Nelson Mendonça

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Holy Wars Deconstruct the Draining Sensation of Success in New Video ‘Battery Life’

L.A. duo Holy Wars are partially charged and ready to power past the energy vampires with their new video “Battery Life,” dissecting how 24/7 social media and the pressure to keep followers impacts an artist’s own creative output and the way they see themselves. Lead singer Kat Leon has never shied away from drawing upon her own personal struggles for inspiration, and in “Battery Life,” fans see the ambitious singer as she sees both herself and her audience.

The high-energy anthem is the newest single to drop in advance of their debut album, Eat It Up, Spit It Out.  Leon leads the group with co-founder and Holy Wars lead guitarist Nick Perez and fronts several side projects and works as an accomplished sync vocalist, composer and instrumentalist for a number of film and television projects, while Perez spends part of his time touring and performing with Poppy.

Billboard recently sat down with Leon to discuss her new single and the making of the video (seen below), which was directed by Erin Naifeh, with director of photography Horacio Martinez and editor Fre Pacheco.

Everyone can relate to the feeling of having their energy sucked out of them, but “Battery Life” takes it a step further, breaking the fourth wall with audiences to critique an artist’s relationship with their fans. At the beginning of the video, you even open with this facial expression that indicates a very deep type of sadness. What’s happening here?

Well, you see me dressed as a clown, and before the curtain goes up I say to myself, “Oh god, here we go again.” I wanted to convey that feeling because as a musician and an artist and in the public eye, I’ve always felt pressure to keep proving myself. Since I’ve started Holy Wars I’ve had people ask me, are you signed yet? Are you famous yet? Who are you opening for? And it always seems like whatever I have is never enough. It’s draining, especially since most people’s understanding of success is based on old ideas and dinosaur concepts.

What does success mean to you?

It means I actually think I’m really f—ing successful. I’m holding down. I’m living full-time off of music. And granted, I do a few different projects that fulfill the success I desire. But for some people, if the Holy Wars are not opening for Imagine Dragons, then who am I? Wait, what? Like, there’s so many people that are successful in music but there’s this pressure that you have to be Lady Gaga or you’re not doing it right. I’ve even had people tell me, “I love that you’re chasing your dream.” And I’m like “What? Chasing? I’m living my f—ing dream.”

You seem like you are making music on your own terms. “Battery Life” is one of your most punk-leaning tracks yet from Holy Wars. What does it tell us about where you are musically right now?

Musically, I really love the feeling that I’m conveying in “Battery Life,” and I really want it to be a blend between what Nick’s doing and what I’m doing. We support each other. Whereas in a lot of pop songs, it’s vocal first and everything else is in support of that. This song is sung like I’m talking and having an intimate conversation with people. I really love that in music — when the audience doesn’t know what an artist is going to do next.

The vocals on the song are heavily distorted. How did you fine-tune the sound to make it perfect for you, especially when performed live?

I love distortion when done right. For this song, we ran my vocals through Nick’s guitar pedals, meaning that the distortion is coming from a more natural sound versus a computer plugin that a lot of people would use. In terms of playing it live, the song is written for a live audience and I hope it becomes a sing-along anthem. That’s why we started the chorus at the top. We wanted people to immediately feel like they’re a part of it. And the video hits you over the head with it. In “Battery Life” during the pre-chorus, I literally have people throwing pies in my face. What people watching the video don’t see is that the pies had all kinds of roasted rotten tomatoes in them. It was terrible but perfect because it made me feel like a joke, which I feel like half the time anyway.

Was writing this song and shooting the video therapeutic for you?

Yes, because it helped me realize I’m not alone. So many of us have imposter syndrome. Not just artists, but executives too. Even some super successful people feel like a clown half their life, but never show it. ‘Cause it’s the fake it ’til you make it mentality. I have Stockholm syndrome too. I’m the kidnapper and the victim. Social media has artists put a cage around ourselves. Look at TikTok – sure it has a big user base, but to grow on the platform you have to do what they tell you — the more followers an artist gets, the more pressure they have to not lose followers. It’s all so draining and toxic, like being back in high school, trying to break into a clique that I didn’t give a f— about.

Especially in the digital era with the algorithm picking winners and losers, there’s not even a wizard hiding behind the cloth. There’s nothing. Where do we go from here?

It will always go back to the human. We are the ones who have the power. We are the ones who put ourselves in this cage. And that’s really what this song is about, it’s about understanding that you can empower yourself and get yourself out of a bad situation. It’s about understanding that you don’t have to accept the algorithm or TikTok challenge or whatever other toxic s— is the trend right now. You have the power to put the phone down, turn if off and free yourself.

Catch Holy Wars on tour with Night Club, March 19-April 23. Find more information here and under the “tour” tab at holywarsmusic.com.

พระเเอบ – ไรอัล | ไมค์หมดหนี้ เสี่ยงโชค

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Metro Exodus Sam’s Story Gameplay Deutsch #02 – Elite Einheiten

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Marva Trott Earns Raleigh Volunteer Award – Bernews

On Saturday [Feb 19], Raleigh Bermuda recognized Mrs. Marva Trott as the ’2021 Raleigh Bermuda Community Volunteer of the Year.’

The award presentation was held at the Hamilton Seventh-Day Adventist Church where the award was presented to Mrs. Trott by Raleigh Executive Director Ms. Dany Pen, Raleigh Board Member Mrs. Kaywell Outerbridge and Raleigh Programme Coordinator Ms. Keri-Lynn Pacheco.

“Since launching the Raleigh Brave Programme in 2020, Mrs. Marva Trott has opened the church’s kitchen space for Raleigh Bermuda to use. The kitchen space has played an instrumental role for Raleigh Bermuda where they have been able use the kitchen as a teaching space for their high school students,” a spokesperson said.

“Thanks to Mrs. Marva Trott, Raleigh Bermuda was able to bring their high students called ‘Bravers’ to learn how to cook in the kitchen, learn how to use the stove, learn how to cook healthy meals but more importantly, learn how to feed themselves.

“This past holiday for Christmas, Mrs. Marva Trott also helped to cook all the hot dinner plates for all our Raleigh Family Members. We were able to feed over 162 community members which included Raleigh alumni and their family members.”

Raleigh Executive Director, Ms. Dany Pen said, “It is our great pleasure and honor to present this award to Mrs. Marva Trott who has been feeding our community and ensuring families and children have access to food every week.

“Our Raleigh Family has witnessed her spending countless hours in the kitchen cooking hot meals to provide to those in need and we are appreciative of her community service. On behalf of the Raleigh Bermuda Family – Board, Staff and Alumni – we would like to say thank you Aunt Marva!”

A spokesperson added, “Raleigh Bermuda serves over 200+ young people between the ages of 14 – 35 years old on island. The organization is well known for its alumni programme in the community and recognized for having one of the highest retention rates of young people on island.

“Raleigh Bermuda nurtures and fosters relationships with young people to support them as they transition into adulthood. The charity provides life skills that helps our young people become independent, confident, and leaders in our community.

“A special thank you also to the following community members who helped to support and organize the award presentation: Brian Purvey [International Sports Shop], Pastor David Steede, Evan Douglas [second elder], Kym Astwood [media ministries head], Diane Coddington [church secretary], Tanaeya Burch [health ministry head], Derek Ming [head deacon], Elicia Albuoy, [head deaconess], Lorine Holder [worship Coordinator], Mr. T. Wayne Hodgson [photographer] and Josonne Smith [interim head elder].

“For more details on how to donate, please contact Raleigh Bermuda at [email protected] or call 333-5678 or visit: www.Raleigh.bm.”

Kuruluş Osman 84. Bölüm Fragmanı | “Allah’ım sen koru” @Kuruluş Osman

👉atv YouTube kanalına abone olun: https://goo.gl/dmrDLN

Kuruluş Osman her Çarşamba 20.00’de atv’de!

O, kömür karası gözleriyle, gaza ve hürriyet ateşini tutuşturacaktı.
Adı, Ertuğrul Gazi oğlu Osman’dı…
Karanlığın içinde ona yol gösteren “aşk” oldu…
Kan ve gözyaşıyla sulanan topraklarda, gök ekini gibi biçilen; yedi göğü, yedi yeri, dağları, denizleri aşacak bir milletin rüyasını “aşkla” gördü.
Gücünü kılıcından değil, “aşktan” aldı… Zorbalığa adaletle; köleliğe hürriyetle direnen, tarihin gördüğü en büyük imparatorluğa adını “aşkla” verdi.
72 milleti kıran bozuk düzene karşı başkaldırı, mazlumların sessiz çığlığına umut, Kuruluş’un adı oldu…
Kuruluş Osman… 400 çadırlık bir obadan, “ilahi aşkla” kurulan bir cihan imparatorluğuna yürüyüşün hikayesi.

Yapım ve proje tasarımı Mehmet Bozdağ’a ait; yönetmenliğini Ahmet Yılmaz’ın ve başrolünü Osman Bey karakteriyle Burak Özçivit’in üstlendiği ‘Kuruluş Osman’, atv ekranında çarşamba akşamlarına damga vurmaya devam edecek.

Yapım : Bozdağ Film
Yapımcı : Mehmet Bozdağ
Yönetmen: Ahmet Yılmaz
Senaryo : Mehmet Bozdağ, İsa Yıldız, Mehmet İlker Altınay, Aslı Zeynep Peker Bozdağ, Mert Özel, Fatmanur Güldalı, Ali Ozan Salkım, Abdulkadir İlter
Oyuncular: Burak Özçivit (Osman), Didem Balçın (Selcan), Yıldız Çağrı Atiksoy (Malhun), Serhat Kılıç (Kosses), Erkan Avcı (Nikola), Seda Yıldız (Edebalı), Yıldıray Şahinler (Rogatus), Özge Törer (Bala), Emre Basalak (Gündüz), Rüzgar Aksoy (Turgut), Çağrı Şensoy (Cerkutay), Yiğit Uçan (Boran), Ahmet Yenilmez (Demirci), Emin Gürsoy (Kumral Abdal), Buse Arslan (Aygül), Emel Dede (Gonca), Şeyma Korkmaz (Mari), Açelya Özcan (Ayşe), Fatih Ayhan (Baysungur), Ömer Ağan (Saltuk), Ahmet Kaynak (Bahadır), Serdar Kayaokay (Gregor), Oğuzhan Karbi (Nestor), Serhat Parıl (Feodor), Melis Gürhan (Cornelia), Can Bartu Aslan (Aktemur), Burak Alp Yenilmez (Kutan), Gizem Kala (Gökçe), Recep Çavdar (Andreas), Rıdvan Uludaşdemir (Diago), Serdar Akülker (Anselmo), Yazmeen Baker.

Predator Hunting Grounds Gameplay German – Wir sind in der Unterzahl

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Why Costa Rica’s Elections Run So Smoothly

Central America might be small—its seven countries have a combined population of just over 50 million, on par with that of Colombia or Spain—but the region tends to make the news often and for all the wrong reasons: spiraling criminal violence, international corruption scandals, and democratic backsliding, to name just a few.

But one Central American nation flies below the radar: Costa Rica. On Feb. 6, the country will choose a new president and renew its 57-seat unicameral legislature, the Legislative Assembly. And so far, the race has been refreshingly boring. While leading candidates differ on policy, the country’s democratic institutions work remarkably well. No one is calling for a radical overhaul of the political system. Most importantly, the election itself promises to be free, fair, and uncontested.

Costa Rica’s undramatic elections make it an outlier in the Western Hemisphere. In contrast to recent elections in Honduras and El Salvador, Costa Rica’s election won’t pit struggling opposition parties against autocratic incumbents. No candidate will be banned from running last minute, as in Guatemala’s 2019 elections. Nor will there be scenes of exiled opposition leaders condemning a dictatorship at home, as in Nicaragua’s sham election last year.

Unlike nations in South America such as Brazil and Colombia, which will also choose new presidents this year, in Costa Rica, populists remain the exception to the norm. And even run-of-the-mill maladies such as gerrymandering and smears against the press, which U.S. audiences know all too well, are out of the question. It is no wonder that the watchdog Freedom House has given Costa Rica much higher marks for civil and political rights than most countries in Latin America—and the United States.

It’s not that Costa Rica’s presidential race is already decided—far from it. Twenty-five candidates are running to replace incumbent President Carlos Alvarado Quesada, who is ineligible for reelection due to term limits, and no one yet dominates the polls. This makes an April 3 runoff vote all but guaranteed, as has been the case in the last two elections.

Alvarado Quesada’s presidency, like the middle-of-the-road campaign that got him into office four years ago, was not known for its extremes. Just 38 years old when he took office, Alvarado Quesada became Costa Rica’s first millennial president and scored victories on environmental protection. In addition to rolling out an ambitious plan to eliminate the country’s carbon emissions by 2050, he implemented a program to pay small farmers to protect forest on their land, making Costa Rica the only Latin American country to reverse deforestation in recent decades. Alvarado Quesada also managed a strikingly effective COVID-19 vaccination campaign that has fully vaccinated 71.2 percent of Costa Ricans, as of Jan. 31.

But slow economic growth and corruption remained stumbling blocks and were only exacerbated by the pandemic. The country registered a modest economic recovery of 3.9 percent in 2021, well below the Latin American average of 6.3 percent projected by the International Monetary Fund. Public sector debt expanded to 71 percent of GDP, and unemployment remains in the double digits, at 14.4 percent.

Costa Rica also has contended with an influx of Nicaraguan refugees fleeing the repression of President Daniel Ortega. By 2020, Nicaraguans came to make up 7 percent of Costa Rica’s population. Alvarado Quesada’s government, to its credit, enacted welcoming policies, with Nicaraguans receiving access to K-12 education and health care. Strikingly, this year’s campaigns have moved forward with no hint of xenophobia.

Leading the race, but still polling below 20 percent, are José María Figueres from the center-right National Liberation Party and Lineth Saborío of the Social Christian Unity Party (PUSC). Both are representatives of Costa Rica’s traditional political parties, which traded control of the office for the latter half of the 20th century.

Figueres and Saborío mostly converge in their platforms. Figueres was president from 1994 to 1998 and is the son of José Figueres Ferrer, the founder of Costa Rica’s modern democracy. During his presidency, Figueres trimmed the country’s historically large public sector, privatized state-run companies, and opened the economy to free trade agreements.

Although the moves led to a short and painful economic contraction in 1996, by the time Figueres left office, Costa Rica’s economy was growing at a rate of more than 5 percent per year. And while Costa Rica’s public prosecutor has opened several investigations into alleged corruption by Figueres, he has not been tried or sentenced in court like his predecessor Rafael Ángel Calderón, or his successor Miguel Ángel Rodríguez, both of whom were sentenced to five years behind bars for graft (though the former’s conviction later dropped to three years and exempted him from prison and the latter’s conviction was eventually overturned). Now, Figueres has made a comeback by tapping into voter discontent over the country’s economic plight. He has vowed to put “experience above experiments” and push economic growth and job creation.

Saborío is a seasoned politician who was former President Abel Pacheco de la Espriella’s vice president from 2002 to 2006. Her campaign has focused on reforming the public sector to improve Costa Rica’s sluggish economy. Regardless of her ability to make the runoff, Saborío deserves credit for helping to revive her political party, the PUSC. Once one of Costa Rica’s two leading parties, the PUSC broke down after being tarnished by corruption scandals and failed to win even 4 percent of votes in the 2006 presidential election. With Saborío at the forefront, the PUSC now has a chance of making the runoff and recapturing some of its bygone strength.

Polling third is Fabricio Alvarado Muñoz (no relation to the incumbent president) from the conservative New Republic party. Alvarado Muñoz, an evangelical Christian singer and ex-member of the Legislative Assembly, broke onto the national stage in the 2018 election. Like much of Central America, Costa Rica’s evangelical population has ballooned in recent years to some 20 percent as the Catholic Church has lost some of its traditional hold, especially among the poor. Alvardo Muñoz, who styled himself as a fundamentalist vigorously opposed to same-sex marriage (which, at the time, was still banned in Costa Rica), therefore found a receptive base. To the surprise of many, he made it to the second round, capturing almost 40 percent of the vote. Although Alvarado Muñoz still peddles hard-line social conservatism, much of his messaging this time around focuses on poverty reduction. A handful of leftist and centrist candidates trail further behind.

According to a January polls conducted by the University of Costa Rica, roughly 40 percent of the electorate remains undecided, although almost all say they plan to vote on Sunday. Any of the candidates mentioned could make it to the runoff. And there is even room for surprise. After all, weeks before the 2018 election, Alvarado Quesada was polling in the single digits, before a wave of last-minute support made him president.

In many countries, economic stagnation and electoral unpredictability would translate into political instability. Not so in Costa Rica, where democratic institutions enjoy broad-based legitimacy dating back decades.

Costa Rica wasn’t always destined for democratic success. In the 1940s, the country was far from it. Like many of its Central American neighbors, Costa Rica was poor, highly unequal, and economically dependent on the export of just a few commodities, including fruit and coffee. Although Costa Rica had a better record of holding elections than its neighbors and rarely suffered military coups, fraud and post-electoral violence became commonplace. In 1948, allegations of a stolen election triggered a brief but fierce civil war between the government and rebels led by businessman José Figueres Ferrer that could have further dampened democracy’s prospects.

Instead, however, the conflict’s end marked the beginning of Costa Rica’s modern democracy. Figueres Ferrer’s faction won and soon drafted a new constitution that set up an independent election monitor, gave women and Afro-Costa Ricans the right to vote, banned immediate presidential reelection, and abolished the standing army—an uncommon decision for the victors of a civil war. The Figueres Ferrer government also established a 10 percent wealth tax and nationalized the country’s banks, making credit widely available to small farmers. Although Figueres Ferrer’s party lost power in 1958, he and his followers gracefully accepted defeat, setting a powerful precedent for peaceful democratic transition that has persisted ever since.

Over time, Costa Rica also built a large and fairly capacious state. By the 1980s, almost one-fifth of Costa Ricans worked in the public sector. Public health care, housing, and education were accessible to most—an anomaly for starkly unequal and then-war-torn Central America. Costa Rica’s relative equality gave democratic institutions broad-based legitimacy and came to underwrite the country’s political stability. Mounting public sector debt eventually led to a 1980s cutback, but Costa Rica to this day maintains broader access to quality public services than most of its Central American neighbors.

Costa Rica’s undramatic elections make it an outlier in the Western Hemisphere.

True, Costa Rica has had its problems with corruption. Besides the embezzlement and bribery cases that sentenced former presidents Calderón and Rodríguez to prison, public prosecutors in 2017 began to unearth evidence that officials from all branches of government had allegedly cooperated to favor a construction magnate close to the government and his imports of Chinese cement. The cementazo, as the scandal is known, has not led to any convictions, but it did lead to the removal from office of a Supreme Court judge, an ex-attorney general, and Central Bank officials, shaking Costa Ricans’ confidence in the justice system.

However, Costa Ricans have historically held the prosecutor’s office in high regard, and these investigations show the justice system is working. By regional standards, Costa Rica is far ahead of the pack. The Capacity to Combat Corruption Index, jointly produced by Americas Society/Council of the Americas and Control Risks, ranked Costa Rica third in Latin America in 2021 for its independent media and high-capacity judicial institutions, behind Uruguay and Chile.

Moreover, Costa Rica’s bribery and embezzlement scandals have involved amounts of public money that look like small change compared with similar affairs in neighboring countries such as El Salvador, where two ex-presidents were charged with embezzling more than $300 million each. Tellingly, when allegations that tied several members of Figueres’s party and campaign to corruption surfaced in late 2021, Figueres kicked out everyone rumored to have been involved. This suggests the social sanction for corruption in Costa Rica remains strong.

Costa Rica’s bedrock of stable, broadly legitimate institutions has meant that even when the country has hit rough patches, politicians and parties have taken the changes in stride. Most importantly, they haven’t turned on democracy itself. In the wake of economic crises and free market reforms in the 1980s and 1990s, the country’s two-party system began unraveling. But unlike in Peru or Venezuela, when Costa Rica’s traditional parties decayed, its democratic institutions didn’t come crashing down with them. Instead, new parties—such as the center-left Citizens’ Action Party (PAC) in office today—had the chance to come to the fore. In this year’s elections, the PAC seems poised for its worst defeat in decades, but there’s virtually no chance that would result in a power vacuum that would put the country in disarray.

Costa Rica’s democracy has defied the odds, yet there’s no reason to take the country’s accomplishments for granted. Following Sunday’s election, parties must come together to agree on a sustainable solution to the country’s sizable public sector debt. Costa Rica’s income inequality is the second highest among Organization for Economic Cooperation and Development countries, a club of rich countries that the Central American nation officially joined in 2021. If left unchecked, that inequality threatens to tear at the very social fabric that has sustained Costa Rica’s democracy. After all, an indebted state, high inequality, and festering corruption scandals have fueled the rise of populist leaders elsewhere.

Yet Costa Rica’s elections will still unfold in a degree of comfort rare for the Western Hemisphere. On Sunday, notwithstanding a spike in COVID-19 cases, voters will head to polling stations to cast their ballots. Hours after the polls close, we will know both which candidates made the presidential runoff and the distribution of seats for the next legislature. Calls of foul play and election fraud will be unheard of: Winners will celebrate, and losers will concede defeat. And the outgoing president will not instigate a violent insurrection if his party is voted out of power. In an era when democracy worldwide is under stress, Costa Rica shines much-needed light on a path forward for other nations.

Funniest Cats 😹 – kittens Don’t try to hold back Laughter 😂 – Funny pj Cats @Tiger Productions

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Resident Evil 3 Remake Gameplay Deutsch #17 – Es wird gekuschelt

Resident Evil 3 Remake Gameplay German Resident Evil 3 Deutsch Let’s Play by KeysJore
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Resident Evil 3 Remake Deutsch – Let’s Play Resident Evil 3 Remake Deutsch – German/Deutsch Walkthrough Gameplay
Let’s Play – Resident Evil 3 Remake Deutsch Gameplay with Commentary (German/Deutsch)

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