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GTC SUNDAY CLASSIC: The Electric Alley: 100% Love, Hate & Protest ⋆ Global Texan Chronicles

From one of the oldest cities in Western Europe comes one the freshest, balls to the wall Rock N’ Roll experiences you’re likely to discover since that time you found those o’ so sweet sounds of Zeppelin, Crüe, Black Label Society, and Sabbath.

The Electric Alley (Nando Perfumo, Jaime Moreno, Sergio Reyes Gamaza, Rafa G. Benitez) hailing from the ancient city of Cádiz, Spain are true sons of steel blooded rock. Taking lessons from the masters before them and creating come party with us jaw crackin’ tunes with a much-appreciated tremble in your boots guitar solos that bring noble textures back to the forefront. Hearing is believing.

There is nothing these cats can’t and won’t do to master their art and win you over. If you want to properly rattle your windows check out TEA’s 2013 Backward States Of Society. The band says the best of the ten tracks, “100% love, hate, and protest.” Oh Yeah…

What is the story of how this band came together?

Nando: We began this project just the two of us, Jaime and me, composing and recording, and then decided to rely on Sergio & Rafa to complete the band at live shows. Now we are four guys ready and willing to be moving around. We love rock ‘n’ roll and always thought that we had something to do together. After almost 10 years doing stuff with other bands, we decided to put our feelings together and began to compose songs with no other purpose than having fun. Little by little those songs have become really special for us. Hearing people’s voices screaming at the shows and realizing that those melodies are not “only ours” anymore is something to believe in.

You proudly claim influences from Led Zeppelin, Mötley Crüe to Hellacopters, which shines through in your sounds. What is it about your influences you pay close attention when writing?

Jaime: I guess it depends on the moment. The composing process for “BSOS” was very rich because we tried to show every strength we’ve learned through these years separately, and also counted on our friend’s ideas that passed by the studio during the recording process. We borrow methods from those bands, transform them our way and try to make ’em belong to us.

Now, for instance, we are taking influences such as Blackberry Smoke, but also Slash’s last album is taking part in our idea of how to produce a Hard Rock LP. Then we take a tour around Richie Kotzen, Paul Gilbert, or Whitesnake and complete our wishes

What are, if any, the complications with getting your message across writing in English?

Jaime: Well, the main problem is our “technical difficulty” with the language. For us, writing in English is a challenge. We have always followed Anglo-Saxon artists and tried to be on top of the latest situations. We do not speak English every day (although we read, hear and study it), and is not an easy thing for us to rack our brains every time we need to say something. But we love it! And we have Anglo-Saxon friends to help us out before confirming that a song is really concluded.

What are some things people should know about the music scene in Cádiz?

Nando & Jaime: It’s an interesting question because there’s a debate in our town. Southern Spain has been a melting pot during centuries. Cadiz, actually, was one of the most important seaports in the golden age of Spanish culture. Lots of people from all over the world used to spend their lives gambling and rambling around the streets of this city. Pirates, traders, leaders, whores, lovers, storytellers, artists… All of this is part of our DNA. Today this has become bohemian and decadent somehow

On the other hand, Cádiz is really influenced by globalization (in the worst way) and several crises have devastated the city, economically. So lots of young people are starring in a musical “renaissance”: Funk, Rock, Metal… This last year at least 10 incredible albums were released, that the world probably will never know. But that’s how life goes, we are at the bottom of the world and we know it. The resources will arrive somehow if you work hard and really have something to say.

What are 5 things the world needs/should know about Backward States of Society?

Sergio, Rafa, Nando, Jaime:

Any tour dates this summer? Are you guys working in the studio now?

Jaime: We are fortunate to be busy with an important matter right now, that’s really special to us. We’ve been asked to compose the OST for a short film, “A Lonely Sun Story” alongside an amazing Spanish musician, Roque Baños, with equally amazing movie stars such as Mario Casas & María Valverde. Those 2 tracks will be included in our next LP and will be mixed by two times Grammy-winning producer and mixer Tobias Lindell. It’s all really appealing, but we have almost no time left to play live, so we’ll only have 9 or 10 dates this summer.


What is the next step for you guys, world domination?

Nando: Hehe, we’ll be just fine with having the possibility to work a lot, but never losing the main goal: having fun and believing in what we’re doing.

What are 5 most important things we need to know about The Electric Alley?

Sergio, Rafa, Nando, Jaime:

Man, your guitar solos are killer. Growing up, who are the guitar heroes for the band?

Nando: Thank you! Personally, I’ve grown up listening to many different kinds of guitarists: rock, heavy, blues, and even jazz. I think our songs take a little bit of Slash, Richie Kotzen, Paul Gilbert, Marty Friedman, Nuno Bettencourt, and many more…


Keep the genuine rock n’ roll alive, thank you for chatting with us today!

Sergio, Rafa, Nando, Jaime: Thank you, fellas. We hope to be touring soon. It’s been a pleasure, thank you so much for your attention; we really appreciate your work and the bands you interviewed before. We are very glad to collaborate!

[original pub-date 3. June 2014]

Band photo via Facebook

Produced and Engineered by Nando Perfumo & Jaime Moreno.
Recorded at Alley Studios, Cadiz (Spain)
Drums recorded and at Estudio Setentaynueve (Jerez, Spain) by Rafa Camisón.
Mixed and Mastered by Javier Rondan and The Electric Alley at Audiorama Estudio de grabación, Cádiz.
Cover art by Javier Pacheco

Written by Jaime Moreno, Nando Perfumo

The Electric Alley is a concept materialized from the aspiration of four musicians who have grown up in a dead-end alleyway in the Zona Franca neighborhood of Cádiz, Spain, offering a type of Rock yet to be found in this country. Electricity and Rock.” – band bio

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Best Funny Animal Videos 2022- 😄 Funniest Cats😹 Extraction Video #shorts #dogs

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GTA 5 Action. Custom Map Rennen mit geiler Looping Action, Parcour und alles was das GTA Herz höher schlagen lässt. Wenn dir das Video gefällt, würde ich mich über einen Daumen nach oben freuen.REINGEHAUEN!!!

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GTA 5 Action. Custom Map Rennen mit geiler Looping Action, Parcour und alles was das GTA Herz höher schlagen lässt. Wenn dir das Video gefällt, würde ich mich über einen Daumen nach oben freuen.REINGEHAUEN!!!

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I Unlocked The RAREST GUN In Warzone!

I unlocked the rarest gun in Warzone! The Master Adventurer blueprint for the AK47 is the rarest in Modern Warfare and Warzone, the prize for completing the pawn takes pawn easter egg. To unlock it go here: https://pawntakespawn.com/colorbound and use the code 1PIECES9IN8PLAY1 Make sure you are signed into the site. Leave a like and comment what rare guns you have in Warzone!

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2021 Pritzker Prize Goes To French Architects Who ‘Work With Kindness’

Anne Lacaton and Jean-Philippe Vassal, this year’s winners of the most prestigious award in architecture, are as surprised as anyone else.

“Of course it’s very pleasant, and we are very pleased,” Lacaton marveled in a Zoom call with NPR. She and her partner, both wearing black, smiled broadly from the screen behind their blocky eyeglasses.

The Pritzker jury citation says that Anne Lacaton and Jean-Philippe Vassal “have shown that architecture can have a great impact on our communities and contribute to the awareness that we are not alone.”
Laurent Chalet

Putting aside their choice in eyewear, Lacaton and Vassal could not be more different from an earlier generation of Pritzker “starchitects,” known for their signature styles, statement skyscrapers and flamboyant follies. Instead, the two apply a credo: “Never demolish, never remove or replace, always add, transform, and reuse!” to their work on old urban buildings. That includes dilapidated public housing (or “social housing” as it’s known in France). Designs by Lacaton and Vassal have focused on replenishing low-income housing complexes, aesthetically and functionally, while respecting — rather than displacing — the tenants who live there.

“Buildings are beautiful when people feel well in them,” Lacaton explained in a 2017 lecture at the Architectural League of New York. “When the light inside is beautiful and the air is pleasant. When the exchange with the outside seems easy and gentle, and when uses and sensations are unexpected.”

Vassal added, “There’s a lot of violence in architecture and urbanism. We try to be precise. We try to work with kindness.”

Lacaton and Vassal met as idealistic architecture students in the late 1970s at a prestigious architecture school in Bordeaux. Vassal found work as an urban planner in West Africa. When Lacaton visited him in Niger, the two began building simple projects together that reflected their commitment to sustainability while extending space.

Winter gardens and balconies were added to expand living space in social buildings in Bordeaux in 2017.
Philippe Ruault

Their approach means never tearing down buildings to implement their own grand visions. When Lacaton and Vassal were asked to redesign a particularly large and hideous public housing bloc in Bordeaux in 2017, the residents told them they did not want to move, even temporarily, but they wanted bigger units. The solution, devised with fellow architects Frédéric Druot and Christophe Hutin, was to encase the building in large outdoor terraces, adding sliding glass doors to each unit, and remaking the exterior from drab concrete to something gleaming, modern and alive. Suddenly, everyone had roomy outdoor space, some of which was enclosed to be used during the winter as “winter gardens.”

“So, spaces where people can get sun and light and spend time with family, but it’s also open to neighbors,” says Columbia University architecture professor Mabel O. Wilson. She paid Lacaton and Vassal the ultimate compliment: “I would love to live in one of their apartments, in one of the buildings that they’ve designed.”

This house in Bordeaux was built in a former biscuit factory in 1999. Part of the roof has been removed to allow natural light into an intramural garden.
Philippe Ruault

The firm’s approach of cost-effective, creative re-adaption could be a model for urban planning in the U.S., Wilson says, where demolition’s been seen as a solution to deteriorating public housing in such cities as Chicago and St. Louis. “And granted, there’s a host of other issues as to why that happened,” she says. “It’s not the building, it’s the absence of social services and lack of repair to buildings that made living in public housing untenable for residents.”

Lacaton and Vassal started their firm in Paris in 1987. Together, they’ve transformed numerous residential complexes, primarily in France, as well as the School of Architecture in Nantes, the Polyvalent Theater in Lille and a hulking exhibition center in Dunkirk, where they chose to essentially duplicate a giant old warehouse, rather than destroy it.

An old boat warehouse was renovated and replicated to create the FRAC Nord-Pas de Calais exhibition center in Dunkirk.
Philippe Ruault

Wilson says the ethos exemplified by Lacaton and Vassal thrills her students at Columbia University. Many young designers confronting the undeniably capitalist realities of climate change and gentrification find the approach of the two more compelling than fading mythologies of architects as towering geniuses of individualism, says architecture writer and designer Antonio Pacheco.

“You know the first person to win the Pritzker was Philip Johnson in 1979,” he points out. “At that point, Johnson was basically at the height of his career. And now, you might think Johnson’s at the lowest point of his career.”

Johnson is known for the Seagram Building in Manhattan and his famous Glass House. He died in 2005. But Johnson’s been in the news recently, after Harvard University and the Museum of Modern Art removed or covered Johnson’s name from public signage because of the architect’s history of racism and fascist affiliations.

“I’m surprised the Pritzker didn’t take this is an opportunity to highlight that legacy with a different choice this year, that would speak to an awareness this conversation was happening,” Pacheco said. He’s referring to the fact that the Pritzker has yet to go to a Black architect. “And I think that the other blind spot that the Pritzker continues to reinforce is this focus on the singular architect, or the two partners.”

Which, he points out, renders invisible the creative teamwork and labor that makes ambitious projects possible. Lacaton and Vassal may be something of a safe choice, Pachecho says, but their work deserves celebration.

Philippe Ruault

“The work of Anne Lacaton and Jean-Philippe Vassal reflects architecture’s democratic spirit,” the Pritzker jury citation reads. “Through their belief that architecture is more than just buildings, through the issues they address and the proposals they realize, through forging a responsible and sometimes solitary path illustrating that the best architecture can be humble and is always thoughtful, respectful, and responsible, they have shown that architecture can have a great impact on our communities and contribute to the awareness that we are not alone.”

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Funniest Cats And Dogs Videos 😸🐶 – Cute And Funny Animals 🥰

Enjoy my reaction on the Funny Animals Videos of the 2022 🥰.
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